Sydney
Opera review: Orpheus & Eurydice, Sydney Festival
Far from detracting from the enjoyment, acrobats add to the complexities of this classic opera.
Opera review: Il Tabarro, Sydney Festival
Ambitiously staged aboard a lightship, this production struggled to stay afloat.
Exploring the ethics of Artificial Intelligence in art
Creators behind year-long generative AI work that traces changes in Australia’s natural environment unveil their considerations when it comes to…
Constellations – creating community in Western Sydney
Engaging with the network of collectives that enrich and characterise Western Sydney's rich arts scene.
Exit interview: Steven Miller, Librarian and Archivist, AGNSW
For more than thirty years, Steven Miller has built up the Art Gallery of NSW's archive. These are his leaving…
Dubai light festival welcomes Australian curator for inaugural edition
Former Curator and Festival Director of Light at Vivid Sydney joins the new Dhai Dubai light art festival to help…
Performance review: Gatsby at the Green Light, The Studio, Sydney Opera House
Craig Ilott and Stuart Couzens have adapted 'The Great Gatsby' into an exhilarating performance set in a 1920s bar.
Theatre review: Circus 1903, Sydney Opera House
Puppetry meets circus arts in a show that's fun for the whole family.
An unfunded discovery platform: inside Phoenix Central Park
Phoenix’s financial freedom allows the team to focus on curating a mindful audience experience. Patrons are invited in for one…
A collection’s blueprint for ruins
ArtsHub previews White Rabbit’s latest exhibition, ‘A Blueprint for Ruins’, on the race of renewal and destruction within China’s urban…