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Orpheus & Eurydice. Minimal white stage set featuring a cage, with acrobats and opera singers.
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Opera review: Orpheus & Eurydice, Sydney Festival

Far from detracting from the enjoyment, acrobats add to the complexities of this classic opera.

Il Tabarro. Four opera singers dressed in period nautical gear sing from the prow of a ship.
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Opera review: Il Tabarro, Sydney Festival

Ambitiously staged aboard a lightship, this production struggled to stay afloat.

Still from 'Natural Rythms of Australia' by VANDAL at Darling Quarter North. Photo: Supplied.
Opinions & Analysis

Exploring the ethics of Artificial Intelligence in art

Creators behind year-long generative AI work that traces changes in Australia’s natural environment unveil their considerations when it comes to…

Plushies at the centre of the ‘Constellations’ exhibition at Leo Kelly Blacktown Arts Centre. Photo: Jennifer Leahy, SilverSalt Photography.
Features

Constellations – creating community in Western Sydney

Engaging with the network of collectives that enrich and characterise Western Sydney's rich arts scene.

Steven Miller. Man with glasses wearing white shirt and blue jacket.
Features

Exit interview: Steven Miller, Librarian and Archivist, AGNSW

For more than thirty years, Steven Miller has built up the Art Gallery of NSW's archive. These are his leaving…

A dome like architectural structure with blue and neon pink lights projected throughout at night.
News

Dubai light festival welcomes Australian curator for inaugural edition

Former Curator and Festival Director of Light at Vivid Sydney joins the new Dhai Dubai light art festival to help…

A male aerialist has suspended under a white spotlight.
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Performance review: Gatsby at the Green Light, The Studio, Sydney Opera House

Craig Ilott and Stuart Couzens have adapted 'The Great Gatsby' into an exhilarating performance set in a 1920s bar.  

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Theatre review: Circus 1903, Sydney Opera House

Puppetry meets circus arts in a show that's fun for the whole family.

Phoenix. Image is a keyboard player, a drummer and a guitarist playing on a dark stage with two strong lights at the back.
Features

An unfunded discovery platform: inside Phoenix Central Park

Phoenix’s financial freedom allows the team to focus on curating a mindful audience experience. Patrons are invited in for one…

Yuan Shun, ‘Soft Landing’, 2018, on view as part of ‘A Blueprint for Ruins’ at White Rabbit Gallery. Image: Supplied. A model of a brown dusty landscape that feels otherworldly, made with wood, sand, lights, fog machine, stones and aluminium.
Features

A collection’s blueprint for ruins

ArtsHub previews White Rabbit’s latest exhibition, ‘A Blueprint for Ruins’, on the race of renewal and destruction within China’s urban…

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