Sydney
Theatre review: Blood Wedding, Flight Path Theatre
A production that has celebrated origins, but does not meet expectations.
First Australian artist to activate AGNSW's Tank gallery
Former Venice Biennale artist, Angelica Mesiti will take over AGNSW’s Tank gallery with a new immersive exhibition.
Theatre review: Swim, Carriageworks
A trip to a public pool provokes deep, submerged reflections.
Opera review: Hamlet, Opera Australia
Revenge thriller, psychological drama – this reworking of Hamlet is an emotionally charged and brilliant piece of work.
Teaching models for physical learning in our digital world
From giant eyeballs to inedible fungi and architectural models – this exhibition looks at the history of teaching models.
Dancing just as fast as we can...
Sydney's dance scene faces a crisis; but a dedicated dance house could revive its golden era, writes FORM's creative director.
Musical review: Little Women, Hayes Theatre
Put to music, Alcott's beloved novel loses some subtlety, but should still please fans of the original.
Theatre review: Sunset Strip, New Theatre
The New Theatre tackles a play by one of Australia’s hottest theatrical exports.
Dance reviews: Sixbythree, Riverside Theatres
A contemporary dance festival at Parramatta’s Riverside Theatres saw three separate dance works presented over two days.
Circus review: Duck Pond, Sydney Coliseum Theatre
Circa presented a modern take on Tchaikovsky’s ‘Swan Lake’ and Hans Christian Andersen’s ‘The Ugly Duckling’ in a collision of…