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A dark-haired man wearing a vibrant, multi-coloured jumper, smiles at the camera. He sits in a wooden chair with his hands clasped, against a brick wall background.
News

Mitchell Butel announced as STC’s new Artistic Director

After leading State Theatre Company South Australia for the past six years, Butel returns to Sydney to lead the company…

A collection of 17 small figures with circular heads and bodies, painted in bright pigment and displayed in front of a black wall at AGNSW.
News

AGNSW receives largest First Nations gift from across the ditch

The Horton Bequest is the largest donation to AGNSW's Aboriginal and Torres Strait Islander art collection to date, and includes…

A dark-haired man in a colonial American military uniform, complete with cavalry sabre at his side, faces towards the camera. A group of dancers in similar uniforms pose dramatically behind him.
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Musical review: Hamilton, Sydney Lyric Theatre, The Star

‘Hamilton’ has returned to Australia. It’s slick, spectacular and runs like clockwork – but remains dogged by some fundamental issues.

A dark-haired white woman wearing a grey jumper, a brown checked dress and white shoes stands onstage in what could be a bland office set. Three blue chairs are lined up against the rear wall, upon which is projected the face of an older man in a suit and toe. A dying pot plant stands in one corner of the room.
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Theatre review: Arlington, Reginald Theatre, Seymour Centre

The first Australian production of Irish playwright Enda Walsh’s ‘Arlington’ is challenging, confounding and stunningly original.

Four soldiers in shadow standing in pairs in the background. In the foreground are two soldiers, crouching on the ground, each one holding a woman in his arms. The women are wearing white gowns.
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Opera review: Così fan tutte, Sydney Opera House 

If you can forgive the problematic sexual politics, 'Così fan tutte' is enormous fun.

Open Day

ACA Info Sessions

Curious about studying acting? Join us at ACA for an upcoming Info Session!

Open Day

UTS - Open Day

Discover the UTS difference at Open Day!

A darkened stage lit up by three small lamps. A middle-aged man and a woman are seated centrally at a table. To the left is an older man with a guitar, on the right and older woman knitting.
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Theatre review: Uncle Vanya, Ensemble Theatre

Joanna Murray-Smith's adaptation of Chekhov's classic play is elegant and tasteful.

A colourful group of Sydney Fringe performers, including a drag queen, a puppet and puppeteer and others, pose with the Sydney CBD skyline in the background.
Features

Active participation an emerging trend at Sydney Fringe 2024

Why just watch an arts event when you can take part in it?

Karim. Two men. The young one is playing an oud. The old one has his arms in the air.
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Theatre review: Karim, National Theatre of Parramatta

How one young man's life changes when he discovers a traditional Middle Eastern instrument.

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