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The Pitchfork Disney

First staged in 1991, Philip Ridley’s dark dream of a play is unfortunately showing its age.

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Totally Tchaikovksy

A stunning performance from the Sydney Symphony, with guest pianist Garrick Ohlsson.

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An English Christmas

Perhaps this critic is a bit of a Scrooge, but the Sydney Philharmonia Choir’s latest concert wasn’t anywhere near as…

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Castor and Pollux

Pinchgut Opera’s production of this 1754 opera does its composer, the Frenchman Jean-Philippe Rameau, proud.

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Mariage Blanc

This bawdy, surrealist excursion into youthful lust and prudishness is held back by the inconsistency of its tone.

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The Queen of Spades

Based on the success of this production, Sydney Symphony should try their hand at opera more frequently.

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Into the Mirror

There's something wistful about this independent new Australian play, which is notable for its refreshing lack of weak female characters.

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Russian Masters

Another fine concert from the Sydney Symphony, including the premiere of a Rachmaninoff work in its original, unedited form.

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Legacies of Love and Loss

Claire Primrose’s choice of recital program showcased her as a stunning storyteller as well as proving why dramatic soprano is…

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Handel’s Messiah

Conducted by Dr Sarah Penicka-Smith, the Willoughby Symphony gave a beautiful performance of Handel's most famous work.

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