Sydney
Macbeth
Kip Williams' vision transcends professional inexperience, the gimmick of the performance venue and Hugo Weaving’s star power.
Ralph Myers to leave Belvoir at the end of 2015
The popular Artistic Director says he’s ‘itching to get back to work as a set designer’.
A Doll's House
In Adam Cook's staging, the full script, period and costumes remain true to the Norwegian shocker that premiered in 1879.
Australian Chamber Orchestra: Piano Quintets
The quintet was never rushed, nor were they self-indulgent, and the results were remarkable.
Romantic Masterpieces: Brahms & Elgar
With a graciousness of tone and rapid engagement, cellist Truls Mork gave a charismatic and connecting performance.
Offspring Ensemble: Plekto
Each piece of music was weird and wonderful in its own way – not one of them conventional, or made…
New vision for the Sydney Fringe
Now that she’s settled into her role, Festival Director Kerri Glasscock has big plans for the annual arts festival.
The Effect
Lucy Prebble's latest play examines the commercial exploitation underpinning the (first) world's addiction to antidepressants.
Tabaimo: Mekurumeku
Tabaimo’s commuters seem to engage in a kind of practised obliviousness by way of adapting to the vagaries of urban…
El' Circo Blanc
Gasps of wonderment are unavoidable as the show concludes: the finale is hair-raising and the room succumbs to the magic…