Sydney
Politics and passion: Eamon Flack’s first Belvoir season
Only the third Artistic Director in the company’s 30 year history, Flack’s 2016 season explores history, family and society.
Colonial guilt and the Australian Gothic cast their shadow over 2016 STC season
A judicious mix of classics, new work, and encore productions marks Andrew Upton's swan song as he prepares to hand…
La Traviata
An irreverent, hilarious and piercing critique of trends in the Australian arts industry.
From War & Peace to Hanging Rock
Matthew Lutton’s first season as Malthouse AD encourages audiences to rethink the familiar.
Taking risks where the state companies can’t
Five new Australian works will be presented by Griffin Theatre in 2016, a testament to the flexibility of smaller companies.
Imagining Place: The Inaugural Willoughby Biennial
Willoughby Visual Arts Biennial invites the community to imagine its past, present and future.
The Women
An impressively scaled production with strong ideas on women and marital infidelity in 1930s New York.
The Present
Chekhov’s gun leads to a transcendent production, full of life, pathos, and humour, and proves that love will tear us…
Seventeen
Its moving portrayal of ostracism elevates Seventeen above an appealing premise into great theatre.
Cultural capitals: Sydney
Turning to Sydney in our latest instalment of our Cultural Capitals series, we ask leading arts professionals to encapsulate what…