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Theatre review: The Boy Who Talked to Dogs, Slingsby/STCSA (Adelaide Festival)

The real-life story of dog-whisperer Martin McKenna, whose life took him from misery in Limerick to a new life in…

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Find the freedom to create your future in music and sound

Gear up for an exciting career in music and sound production with a TAFE SA course at Adelaide College of…

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SA celebrates $10.2M investment in arts sector's future

The Marshall Government has committed $10.2 million in new money to help the state’s arts industry recover from the devastating…

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Review: Natsuko Plays Beethoven, ASO

Concertmaster Natsuko Yoshimoto farewells the ASO with an exhilarating performance.

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Review: Gaslight, State Theatre Company of SA

Adelaide audiences enthusiastically embrace Australia’s first mainstage post-COVID production.

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South Australia slowly returns to performance as usual

The first mainstage production in Adelaide post-COVID is preparing to open at the newly refurbished Her Majesty’s Theatre in September,…

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AICSA calls for additional $10M government investment in South Australia

One in three people working in South Australia’s arts sector have lost their jobs because of COVID-19, meaning that government…

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How indie theatre-makers are fighting back after COVID-19

Independent theatre companies in Adelaide are preparing to welcome back audiences, but how will a post-COVID world shape their programming?

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Realities of regional life explored in young people’s monologues

A new collection of scripts written by young regional Australians shares their fresh perspectives with the wider theatre community.

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Exit interview: Joseph Mitchell, Artistic Director, OzAsia Festival

After five festivals, Mitchell has moved onto new challenges. Just before he left, he spoke with ArtsHub about the highs…

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