South Australia
Dance review: Objekt, Australian Dance Theatre
Contextualising the body as an art object
The power of play and how to bring it home
The playground may be closed with no free-roaming allowed, but small acts of play can still be achieved and are…
Why vaccine passports are the future of live performance
Masks and vaccinations have helped European theatres safely reopen, says Adelaide Festival's Rachel Healy.
On the future of touring
The show can’t always go on, but it can shift, pivot and be reimagined.
Concert review: Musica Viva Australia, Adelaide
A musical degustation encompassing 80 years of French composition.
Theatre Review: Hibernation, State Theatre Company SA
Can the world close down for a year to save the planet?
Concert review: Symphony Series 4, Adelaide Symphony Orchestra
The return of a veteran conductor at the ASO makes it seem almost like the good old days.
Rebuilding the performing arts: an economist weighs in
One of Australia's best economics brains looks at the good and bad news for the arts as a keynote at…
Exhibition review: Bee Stung Lips – Barbara Hanrahan, FUMA, Adelaide
The print maker's short but intensely creative life continues to inspire.
Lessons learned on the job
Riverland Youth Theatre’s new Creative Director reflects on her role and what she’s learned about young people’s wants and needs…