South Australia
OzAsia Festival to end after 20 years, in a huge blow for Asian‑Australian art and culture
This will be the last OzAsia, with Adelaide Festival Centre declaring a move to year-round programming of Asian voices instead.
![[GAMEBOY] from choreographer Amy Zhang tours as part of ORBIT 2026. Photo: Supplied.](https://www.artshub.com.au/wp-content/uploads/sites/2/2026/08/7.-ORBIT_ARTWORK_gameboy-by-Amy-Zhang.webp?w=310)
New touring initiative ORBIT creates sustainable pathways for indie dance
Three major dance organisations join forces to tackle the touring barriers facing independent choreographers.
Adelaide Contemporary Experimental
Leaves: Eco-Anxiety
Amidst ecological polycrisis, what practical, cultural or mystical remedies are possible?
Adelaide Contemporary Experimental
Tools for Quiet Activism: Stephanie Doddridge
'Tools for Quiet Activism' explores grassroots ecological restoration, drawing inspiration from the work of scientist-led organisation Bio·R in regenerating heavily-cleared…
Nexus Arts
Australian String Quartet x Parvyn
An interplay of two musical cultures with deep historical roots.
Adelaide Contemporary Experimental
The Last Age of the Falling Grace – 2026 Multichannel Commission: CJ Taylor
'The Last Age of the Falling Grace' is a meditation on our relationship with the land in the midst of…
Anna Funder: 'I have zero interest in a book produced by a machine'
Ahead of her international tour, author Anna Funder speaks to ArtsHub about why we need to hold onto storytelling in…
Monet to Matisse review: AGSA blockbuster is simply unmissable
AGSA's Monet to Matisse: Defying Tradition is a fascinating celebration of innovation and experimentation in art.
Karis Oka on Beetlejuice the Musical: ‘I've always loved the dark and macabre’
For rising star Karis Oka, playing Lydia in the Australian production of Beetlejuice the Musical feels like a fated role.
The Importance of Being Earnest review: a complete joy
Oscar Wilde’s battle of the sexes becomes a dazzlingly funny free-for-all in this gloriously gender-bent production.