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ecstasy. Image is a widely smiling man in a black shirt playing the violin.
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Music Review: Ecstasy, Adelaide Symphony Orchestra, Symphony Series 8, Adelaide Town Hall

The ASO's final Symphony Series for 2023 featured outstanding contributions from violinist Anthony Marwood and conductor Chloé van Soeterstède.

Aboriginal artist Vincent Namatjira sitting with a young Aboriginal student in an art class.
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Aboriginal art in the classroom: state gallery model proving welcome support

Educational resources developed by the Art Gallery of South Australia are having nationwide impacts.

The Bridal Lament. Image is a close-up of an Asian woman's face with a complex headdress, heavy makeup and facial adornments in the form of eight white pearl tears. She looks sad.
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Theatre review: The Bridal Lament, Space Theatre

Rainbow Chan's OzAsia contribution was 'an ambitious work infused with vulnerability, grief, and empowerment'.

Ernabella Arts. Warka Wiru. Image is a gallery space with a corrugated snake like plinth on a polished wooden floor bearing a wide selection of diverse ceramics.
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Exhibition review: Ernabella Arts: Ceramic Warka Wiru 20 Years-kutu, JamFactory

A celebration of 20 years of ceramic artwork at Ernabella Arts Centre.

Infinitely Closer. Image is three dancers in tight flesh coloured t-shirtsa and grey pants, two close to the camera, one at the back of the stage, spotlit and bent over, with large screens covered in projections of other dancers. Audience members can be seen seated to the far right and far left.
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Dance review: Infinitely Closer, Festival Theatre

A boundary-pushing experiment with a powerful impact.

I Swallowed a Moon Made of Iron. Image is a man sitting at a grand piano playing and singing, while on a screen behind him are translations of Chinese poetry into English.
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Performance review: 我咽下一枚铁做的月亮 I Swallowed a Moon Made of Iron, Dunstan Playhouse

Poetry revealing the despair of a factory worker was turned into songs that tugged at the heartstrings.

asian australian. image is a graphic of two silhouetted heads with the tops opening like trapdoors, one with a small ladder leading up to it and the one on hte left with myriad ideas and a small woman holding a lightbulb bursting out and following the arrows to the other head in an illustration of knowledge sharing.
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Knowledge sharing through Asian Australian studies

The Asian Australian Studies Research Network will present its biennial identities conference as part of this year’s OzAsia festival.

Features

Summer festival season heats up as programs launch nationwide

Adelaide, Perth and Sydney Festivals launched their 2024 programs this week, with Mona Foma waiting eagerly in the wings.

Uplands. Aboriginal man wearing hat and sitting on ground in an art centre with painting around him
Features

UPLANDS revolutionises how we engage with Aboriginal Art Centres

UPLANDS is a new digital portal that allows you to visit Aboriginal art centres, virtually, and sit and listen to…

Tarnanthi 2023, Art Gallery of South Australia, Adelaide, installation view, showing three largescale red and white paintings.
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Tarnanthi 2023 weaves personal stories with skyward visions

From the miniature to the epic, this year’s Tarnanthi group show is united in its capacity to takes us to…

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