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Painting of an eye and the iris is a sky with clouds. Magritte.
Features

Exhibition highlights for July – December

Hate the feeling of FOMO? Or thinking of travelling interstate? ArtsHub’s got you covered for exhibitions to visit during the…

Long open road in outback Australia. Tourism.
Opinions & Analysis

Surprises as most cultural Australian cities (per capita) revealed

Recent data shows that regional cities offer top cultural experiences.

Image is an underwater photo depicting a scuba-diver rising through a deep blue ocean towards the sunlit waters above.
Q&A

Understanding Create NSW's funding reframe

Your questions answered about the Create NSW rejigged funding model.

detail of eye on money.
Opinions & Analysis

Questions raised over ‘Simpler. Fairer. Faster.’ arts funding model

Create NSW has announced a new approach to its arts funding model, but first reactions say it favours competitiveness over…

Sprung Ensemble member, Sinead Skorka Brennan in ‘O, How I Dreamt of Things Impossible’, 2020. Photo: Kate Holmes. A performer on a darkened stage with a colourful bodysuit. The performer lowered their body, supported by their arms and legs like a spider pose.
Features

What does a disability-led audition process look like?

With an ensemble call-out and funding for new work, Sprung Dance Theatre is building upon existing disability-led frameworks to expand…

momenta. Around a dozen dancers on a dark stage wear tight leotards, and tights in muted tones of beige or grey. Their bodies are turned to the back but their heads look back towards the camera with their left hand touching their cheek as if showing their faces to the light.
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Dance: momenta, Roslyn Packer Theatre

Immense athleticism in the body's exploration of time and space.

Ruth Maddison, ‘An abundance of caution’, on view at SECCA. Photo: Supplied.
Features

Not your inspirational quote – the dark and humorous side of text in craft

Artists working with text in craft are interrogating the usage of language through humour in dark times.

Switzerland. A theatre set of a writer's study with grey concrete walls, a two seater leather backed couch, a wooden coffee table and downstage a cluttered desk with a middle aged white woman working at a typewriter. Behind her a young white man has come through the door and looks nervous.
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Theatre review: Switzerland, Ensemble Theatre

Patricia Highsmith is all the rage at the moment, so it's a good time to stage Joanna Murray-Smith's play about…

Fourteen. A stage set of a two-storey building, in the middle of the stage standing on the middle of three desks is a young man holding a bunch of flowers and throwing both arms in the air extravagantly.
Opinions & Analysis

Why I've programmed Fourteen for Bathurst

The manager of BMEC explains why he has picked this particular production from Shake & Stir Theatre Company to share…

The Australian Ballet. Circle Electric. Bathed in a red glow a troupe of ballet dancers are assembled beneath a large neon hoop. The dancers are eclectic and in all sorts of shapes, one is held aloft surrounded by smoke.
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Dance review: Études/Circle Electric, Sydney Opera House

A double bill of dance that canvasses contemporary and classical works.

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