Perth
Exit interview: Peter Kift, Yirra Yaakin Theatre Company
The company’s long-serving General Manager, who stepped down from his role in mid-December, reflects on the triumphs, challenges and future…
PICA adapting program to revamp
While redevelopments are underway, PICA unveils its first 2024 program, Bunuru, with new commissions and a solo show of pioneering…
Hindu leader decries ballet production
Throughout the years, Rajan Zed has protested against numerous productions of ‘La Bayadère’, a piece of classical ballet that is…
Theatre review: Pillow Fight, Claremont Showground, Perth
A puppet show about sibling love and rivalry covers a vast terrain of adventures.
The case for flexible journalism
Negotiating voice, agency and interview practices for disabled and neurodiverse creatives.
Activists belatedly celebrate Fringe World’s separation from fossil fuel sponsor
The end of an 18-month philanthropic partnership with Woodside has been claimed as a victory by climate change activists.
Theatre review: The Final Line, Nexus Theatre
The Great Indian Theatre Company’s debut work is by turns epic, grand and farcical.
30 years of Indigenous storytelling with depth and generosity
Yirra Yaakin Theatre Company marks three decades of sharing Indigenous stories with the world.
Musical Review: Chicago, Crown Theatre, WA
One of the longest running musicals on Broadway is returning to tour Australia, first stop Perth.
Performance Review: At the End of the Land, PICA Performance Space, WA
A non-linear and Lynchian solo performance, with visual and aural extravagances.