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Rendered speechless: how a wordless opera came to be

Propelled by the Human Rights Commission Report into Children in Immigration Detention, Cat Hope’s opera transcends the political to create…

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Review: One Infinity, Perth Festival

One Infinity is a reminder of our place within this ever-expanding, infinite universe.

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Review: The Great Tamer, Perth Festival

A riveting piece of theatre that collapses mediums, genres, histories and logic allowing us to dwell, momentarily, in that place…

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Review: Alchemic by Cassils, PICA

Two exhibitions at PICA give viewers the opportunity to confront, and to change, societal perceptions of complicit violence, making them…

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Review: A Family Outing – 20 Years On, Perth Festival

Twenty years after performing alongside her parents, Ursula Martinez revisits the conceit after her father's death and as her mother…

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Review: Love, Displaced, Lawrence Wilson Art Gallery, Perth

Love, Displaced reminds us that we can still find empathy and pause in our era of 21st century screen culture,…

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Review: DivaLicious - Defying Gravity, FRINGE WORLD

If you like bawdy humour and good singing, this is an act you must not miss.

Features

WA dance company turns isolation into inspiration

How do you encourage local dancers to stay in WA instead of seeking career opportunities on the east coast? By…

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Review: Xenides, Studio Underground, State Theatre Centre WA

This devised mix of musical theatre, witty confessionals and thoughful social critique engages, but lacks a consistent thread to convincingly…

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Standing tall on the national stage

Yirra Yaakin is not only producing important and powerful work: the West Australian company is also nurturing the next generation…

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