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Review: The Double, Blue Room Theatre (WA)

Clare Testoni’s cyber-gothic tale is an accomplished exploration of the changing nature of reality.

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Review: deviator, Mandurah Performing Arts Centre

Overthrowing capitalist oppression is child’s play.

Features

Exit Interview: Stefano Carboni, in hindsight

After a decade of steering the Art Gallery of WA through the highs and the lows, Director Stefano Carboni prepares…

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Review: Dada Masilo’s Giselle, Perth Festival

In the hands of South African choreographer Dada Masilo, Giselle’s journey to the spirit world is captivating, but its strengths…

Features

Exit Interview: Perth Festival’s Wendy Martin

As her fourth and final festival nears its end, Wendy Martin reflects frankly on her triumphs and challenges in the…

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Review: Desert River Sea, Art Gallery of Western Australia

Six years in the making, and funded to the tune of $1.8M, Desert River Sea doesn't disappoint and offers a…

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Review: Idols - Ramesh Nithiyendran and Renee So, Fremantle Arts Centre

True to the adage that opposites attract, the vast stylistic differences of these two artists make for an uncanny yet…

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Review: Rest, WA Youth Theatre Company, FRINGE WORLD

A haunting encounter with our collective humanity, staged among the tombs and gravestones of East Perth Cemetery.

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Review: Lé Nør [The Rain], The Last Great Hunt, Perth Festival

The Last Great Hunt unite their diverse skills and passions in a larger than life celebration of arthouse cinema, filmed…

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Review: Sunset, Perth Festival

The ramshackle rooms of a former home for elderly and destitute men become the site of a new dance work…

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