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Ulster American. Three actors on a stage set of a loft type apartment. A woman in a short sleeved lilac jumper sits downstage. Behind her centre stage is a bearded man all in black with a baseball cap backwards and an Oscar in his outstretched hand; he is shouting. A third balding man with glasses stands on the right behind a tan leather couch clasping his hands and watching the man in the centre.
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Theatre review: Ulster American, Ensemble Theatre

Feminism, #MeToo, toxic masculinity, the Northern Irish ‘Troubles’ and the theatre itself are dissected in this provocative work.

25th Biennale of Sydney Artistic Director, Hoor Al Qasimi. Photo: Dan Boud. A woman with light brown skin, gradient brown hair, wearing lipstick, a blue velvet blazer and smiling at the camera.
News

Hoor Al Qasimi to helm 25th Biennale of Sydney

Arab curator and President of the International Biennial Association, Hoor Al Qasimi says the 25th Biennale of Sydney will have…

Image is of an open book on fire, surrounded by blue green smoke.
News

Publisher offers free download of banned same-sex parenting book

Children's book 'A Focus On... Same-Sex Parents' is now available to download free of charge after it was banned from…

Switzerland. A theatre set of a writer's study with grey concrete walls, a two seater leather backed couch, a wooden coffee table and downstage a cluttered desk with a middle aged white woman working at a typewriter. Behind her a young white man has come through the door and looks nervous.
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Theatre review: Switzerland, Ensemble Theatre

Patricia Highsmith is all the rage at the moment, so it's a good time to stage Joanna Murray-Smith's play about…

Fourteen. A stage set of a two-storey building, in the middle of the stage standing on the middle of three desks is a young man holding a bunch of flowers and throwing both arms in the air extravagantly.
Opinions & Analysis

Why I've programmed Fourteen for Bathurst

The manager of BMEC explains why he has picked this particular production from Shake & Stir Theatre Company to share…

Suhanya Raffel, Museum Director, M+. Photo: Winnie Yeung @ Visual Voices. Image: Courtesy M+, Hong Kong. Raffel against a green tiled architectural background. She is a middle-aged woman with long black and grey hair, wearing red lipstick and smiling at the camera. She is dressed in a black blazer with a white flower brooch.
Features

Building a contemporary museum: learnings with Suhanya Raffel

From studying art history in Sydney to helming the Asia Pacific Triennial in Queensland and now leading Hong Kong’s M+,…

The Australian Ballet. Circle Electric. Bathed in a red glow a troupe of ballet dancers are assembled beneath a large neon hoop. The dancers are eclectic and in all sorts of shapes, one is held aloft surrounded by smoke.
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Dance review: Études/Circle Electric, Sydney Opera House

A double bill of dance that canvasses contemporary and classical works.

Woman in blue suit outside Museum of Contemporary Art Australia. To the right of her is a huge patterned arrow on the wall pointing down to the ground.
Features

When you need to change to get it right

The MCA has worked with its challenges – and in sync with museum trends globally – to rethink its future.…

Wool clock from 1942 Uluru Collection by Dame Zandra Rhodes, donated to Powerhouse. Image: Supplied. A model with dramatic makeup lying in a forest seen from bird's eye view with a patterned wool clock covering her body.
News

British designer Dame Zandra Rhodes donates Uluru Collection to Powerhouse

Garments inspired by Rhodes' 1970s trip to Australia will enter Powerhouse's collection.

'In Transit' by Yona Lee at Fine Arts Sydney, Art Basel Hong Kong 2024, Discoveries section. Photo: ArtsHub. People gathering around a booth with stainless steel installations that make up a seemingly domestic setting, with benches, an outdoor umbrella, and fairy lights.
Features

Australian reflections on Art Basel Hong Kong 2024

ArtsHub speaks with Australia-based galleries on their perspectives of attending Art Basel Hong Kong this year, from first-time participants to…

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