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Switzerland. A theatre set of a writer's study with grey concrete walls, a two seater leather backed couch, a wooden coffee table and downstage a cluttered desk with a middle aged white woman working at a typewriter. Behind her a young white man has come through the door and looks nervous.
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Theatre review: Switzerland, Ensemble Theatre

Patricia Highsmith is all the rage at the moment, so it's a good time to stage Joanna Murray-Smith's play about…

Fourteen. A stage set of a two-storey building, in the middle of the stage standing on the middle of three desks is a young man holding a bunch of flowers and throwing both arms in the air extravagantly.
Opinions & Analysis

Why I've programmed Fourteen for Bathurst

The manager of BMEC explains why he has picked this particular production from Shake & Stir Theatre Company to share…

Suhanya Raffel, Museum Director, M+. Photo: Winnie Yeung @ Visual Voices. Image: Courtesy M+, Hong Kong. Raffel against a green tiled architectural background. She is a middle-aged woman with long black and grey hair, wearing red lipstick and smiling at the camera. She is dressed in a black blazer with a white flower brooch.
Features

Building a contemporary museum: learnings with Suhanya Raffel

From studying art history in Sydney to helming the Asia Pacific Triennial in Queensland and now leading Hong Kong’s M+,…

The Australian Ballet. Circle Electric. Bathed in a red glow a troupe of ballet dancers are assembled beneath a large neon hoop. The dancers are eclectic and in all sorts of shapes, one is held aloft surrounded by smoke.
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Dance review: Études/Circle Electric, Sydney Opera House

A double bill of dance that canvasses contemporary and classical works.

Woman in blue suit outside Museum of Contemporary Art Australia. To the right of her is a huge patterned arrow on the wall pointing down to the ground.
Features

When you need to change to get it right

The MCA has worked with its challenges – and in sync with museum trends globally – to rethink its future.…

Wool clock from 1942 Uluru Collection by Dame Zandra Rhodes, donated to Powerhouse. Image: Supplied. A model with dramatic makeup lying in a forest seen from bird's eye view with a patterned wool clock covering her body.
News

British designer Dame Zandra Rhodes donates Uluru Collection to Powerhouse

Garments inspired by Rhodes' 1970s trip to Australia will enter Powerhouse's collection.

'In Transit' by Yona Lee at Fine Arts Sydney, Art Basel Hong Kong 2024, Discoveries section. Photo: ArtsHub. People gathering around a booth with stainless steel installations that make up a seemingly domestic setting, with benches, an outdoor umbrella, and fairy lights.
Features

Australian reflections on Art Basel Hong Kong 2024

ArtsHub speaks with Australia-based galleries on their perspectives of attending Art Basel Hong Kong this year, from first-time participants to…

Matthew Shepherd. Image is a black and white head and shoulders shot of a young blond man wearing a jumper and standing in a room in front of a window. His head is tilted to the left.
Features

Hate transmuted into theatrical gold in new staged reading of The Laramie Project

A Sydney reading of the verbatim play about Matthew Shepard’s murder will feature Shepard’s father, Dennis, reading his courtroom statement.

Man with children looking a sculpture of pregnant woman in gallery. Ron Mueck
Features

Does spend equal impact?

Taking the pulse on the National Gallery’s Collection share.

Taipei Dangdai, Evoke sector. Anne Samat, ‘Never Walk In Anyone's Shadow,’ 2023, Rattan sticks, kitchen and garden utensils, beads, ceramic, metal and plastic ornaments. Photo: Brian Holcombe. Image: Courtesy of the artist and MARC STRAUS. A large colourful installation that appears like a folk monument against a grey background.
Features

Strengthening regional connections through Taipei Dangdai

Taipei Dangdai art fair will present its fifth edition in May with two Australian galleries travelling to the Taiwan capital.

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