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A collection of 17 small figures with circular heads and bodies, painted in bright pigment and displayed in front of a black wall at AGNSW.
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AGNSW receives largest First Nations gift from across the ditch

The Horton Bequest is the largest donation to AGNSW's Aboriginal and Torres Strait Islander art collection to date, and includes…

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Awards & Prizes

2025 Perry Prize for Drawing

Entries for the 2025 Perry Prize are now open.

Man with long brown hair and beard in mountain landscape. Blue Mountains.
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How are artists eco disruptors?

A new exhibition and video interview series challenges our actions around climate change, putting words into action at the Blue…

A dark-haired man in a colonial American military uniform, complete with cavalry sabre at his side, faces towards the camera. A group of dancers in similar uniforms pose dramatically behind him.
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Musical review: Hamilton, Sydney Lyric Theatre, The Star

‘Hamilton’ has returned to Australia. It’s slick, spectacular and runs like clockwork – but remains dogged by some fundamental issues.

A dark-haired white woman wearing a grey jumper, a brown checked dress and white shoes stands onstage in what could be a bland office set. Three blue chairs are lined up against the rear wall, upon which is projected the face of an older man in a suit and toe. A dying pot plant stands in one corner of the room.
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Theatre review: Arlington, Reginald Theatre, Seymour Centre

The first Australian production of Irish playwright Enda Walsh’s ‘Arlington’ is challenging, confounding and stunningly original.

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Four soldiers in shadow standing in pairs in the background. In the foreground are two soldiers, crouching on the ground, each one holding a woman in his arms. The women are wearing white gowns.
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Opera review: Così fan tutte, Sydney Opera House 

If you can forgive the problematic sexual politics, 'Così fan tutte' is enormous fun.

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