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Review: The Man in the Attic, Eternity Playhouse

Violence begets violence in Timothy Daly's thoughtful and provocative play.

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Review: Letters to Lindy, Riverside Theatre

A moving and warmly performed portrait of resilience under national scrutiny.

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Review: Wilde Creatures, Sydney Opera House

Based on Oscar Wilde's fairy tales, Wilde Creatures is a wonderful show for the whole family.

Features

Sydney artists are being priced out – here’s how to bring them back

There is already a shortage of creative spaces outside the city centre, and inner city artists’ movement to the suburbs…

News

Afghan and Persian voices a first in programming

Blacktown Arts Centre has turned to some of the newest members of its community for a new programming initiative.

Features

Booking for sustainability – building a relationship with a venue

Carriageworks Director, Lisa Havilah says that building long-term relationships with artists, and ensuring they have a purpose, is key to…

Features

Expanding Australia's cultural narratives on stage

Set in contemporary Western Sydney, Aanisa Vylet’s play, 'The Girl / The Woman', explores the interior lives of a first…

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Review: Verdi’s Requiem, Sydney Symphony Orchestra

An unusual hybrid creation that straddles both church and state, superbly performed, and streamed throughout the world.

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Review: Handel's Athalia by Pinchut Opera

Pinchgut's production of Athalia is a rare chance to see this work. Athalia is musically excellent with a solid staging.

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Review: Above Ground at Riverside Theatres

Form Dance presents a thought-provoking visually striking double bill of contemporary dance.

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