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Review: St. Vincent at Carriageworks for Vivid Sydney

St. Vincent can carry a 500-strong audience on the voice alone, but the guitar is a hell of a bonus.

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Review: Bangarra's Dark Emu at Sydney Opera House

There is no single hero in Bangarra, despite there being plenty of heroism.

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Review: Molière's The Hypochondriac at Eternity Playhouse

In this new vibrant translation by Hilary Bell, Molière's play is given a sharp updated revival.

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Review: Prelude in Tea Concert by The Muffat Collective

A glorious concert of luscious Baroque music.

Features

In Hindsight: Janet Clayton

As gallerist Janet Clayton closes up shop after a decade, ArtsHub talks with her about the future of shop front…

News

$1 million gift for Sydney’s Museum of Contemporary Art

In an innovative approach to philanthropy, the MCA has received a promised bequest that will be invested in sustaining future…

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Review: Lost Boys at Illawarra Performing Arts Centre

The sins of the past resurface in this new Australian play exploring the epidemic of homophobic violence which swept Sydney…

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Review: Mother’s Ruin A Cabaret About Gin

Despite its flaws, Mother’s Ruin is a hell of an enjoyable performance with a clearly talented ensemble.

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Review: Shirley Valentine at Ensemble Theatre

Willy Russell’s play, Shirley Valentine, was written just over 30 years ago. Now, in this marvelous production the play feels…

News

Creative sector representatives join panel to revitalise Sydney's nightlife

Improving Sydney's nightlife after the NSW Government's lockout laws is on the agenda, with a new panel formed to help…

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