New South Wales
Design Associates Program aims to change the face of the industry
Sydney Theatre Company puts their money where their mouth is, creating career pathways for diverse appointees following the signing of…
Theatre review: Home, I’m Darling, Sydney Theatre Company
Two 1950’s enthusiasts discover that the golden era they adore and seek to emulate may be harder to maintain than…
Theatre review: Hamilton, Sydney Lyric Theatre
The critic-proof production has opened in Australia to rapturous reviews – but what did we think?
New model disrupts programming at Carriageworks
Carriageworks hands over authorship of its public space to ARIs via the project NO SHOW, designed to rethink partnerships and…
Lisa Havilah on programming for the future
Climate change innovation. Studio ceramics. Eucalyptus. Persian artefacts. Diversity is the key to Powerhouse’s 2021 program, as it steps into…
NSW arts grants ‘a black box’
The ongoing state inquiry into grants has found a process that is difficult to understand and which makes it harder…
Stats out on Biennale of Sydney; we take a look at COVID’s impact
Despite cutting its staff by half as COVID hit, the Biennale of Sydney delivered over 600 programs to audiences, and…
Performance review: Bhoomi: Our Country (Sydney Festival)
A collective of musicians, dancers and writers weave ancient texts, myths and traditions into a recital exploring collective connection to…
First digital commissions for Phoenix Central Park revealed
The award-winning building in Chippendale will host new digital commissions featuring a diverse group of collaborators, including Sydney Dance Company…
Theatre Review: Twelfth Night, Virginia Plain/New Theatre
'Even so quickly may one catch the plague?' Love is a virus in this independent production of Shakespeare’s Twelfth Night,…