New South Wales
Book review: The Weekend by Charlotte Wood
Wood's The Weekend confronts prejudices about old age and shows there is much more ahead for the author and her…
Carriageworks secures independent future
Carriageworks saved, thanks to a 20-year lease agreement and guaranteed annual funding - two necessities it has battled since opening…
How ghost lights keep the spirit of theatre alive
One of NIDA’s latest projects invites actors, playwrights, and members of the public to share their love of the theatre…
In the face of green bans and protests, Powerhouse Museum rethinks future
Plans for the sale of the Powerhouse Museum's Ultimo site back-flipped over the weekend, as protests escalated around its imminent…
Teaching movement remotely during COVID-19
How to impart complex somatic body practice to students without being in the room with them? One teacher's response has…
Powerhouse move to go ahead, saved from COVID’s axe
Parramatta Lord Mayor makes plea: 'Don't turn your back on us', while the National Trust is disappointed as Powerhouse Museum…
Sydney Fringe goes global despite cancelling its 2020 festival
While the 11th Sydney Fringe has been cancelled, an alliance with international Fringe Festivals will ensure important independent works can…
Inconsistencies in NSW funding as $50M fund announced
Within days of the NSW Government announcing a lifeline of $50 million to arts company, a scathing account accuses rampant…
Creating a character in confinement
Acting classes have had to evolve because of COVID-19, resulting in some remarkably liberated performers.
Review: Breaking Glass, Sydney Chamber Opera
Sydney Chamber Opera creates a riveting online experience with works by four female composers.