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Review: Life is Impossible, Old 505 Theatre (NSW)

Broadway fantasy meets wartime socialist activism to mixed success.

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Review: No Pay? No Way!, Sydney Opera House (NSW)

Liberation takes many forms in Marieke Hardy’s stellar adaptation of Dario Fo’s classic Marxist farce.

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Review: Jesus Wants Me for a Sunbeam, Belvoir (NSW)

A dark and clever work that produces visceral, divided responses from the audience.

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Review: Taloi Havini: Reclamation, Artspace (NSW)

Reclamation considers both personal and political narratives, and comes at a time when our world is collectively questioning environmental responsibility,…

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Review: Hofesh Shechter’s Grand Finale, Sydney Opera House (NSW)

A weighty, admirable yet bleak work for the end of days.

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Review: The Life of Us, Hayes Theatre (NSW)

An absorbing and intimate new Australian musical exploring long-distance love.

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Review: Don Giovanni, Sydney Opera House (NSW)

Opera Australia’s revival run of Sir David McVicar’s production is part revelatory – and part not.

Features

Exit interview: Lee Lewis, Artistic Director, Griffin Theatre

After eight years at Griffin, Lee Lewis is moving on to a new role at Queensland Theatre. She reflects on…

News

American Psycho The Musical wins nine Sydney Theatre Awards

Other winners on the night included the Belvoir/Co-Curious co-production Counting and Cracking, STC’s The Beauty Queen of Leenane, and Apocalypse…

Features

How to cope when your work remains stuck in limbo

Jane Harrison’s ‘new’ play was left sitting in a drawer for six years following a rehearsed reading, with promises to…

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