National
Sneak Preview: Production Company's musical revivals
After many years trying The Production Company has snagged La Cage Aux Folles as one of three classic musicals for…
Blockbusters: Hit-making, Risk-taking, and the Big Business of Entertaining
Blockbusters may be the way of the future for the entertainment industry, but the jury's still out on how to…
Joyce Hinterding, Agnes Martin and Linda Matalon at NAS
Described as an exhibition that makes the invisible visible, these seeming minimal drawings land a powerful impact on viewers.
Should you join the union?
Union activity is pushing back against the increasingly insecure arts work environment.
Despite boycott, Biennale should honour its relationship with Transfield
Individual artists' ethical objections to Transfield should not derail the Biennale's important arts/business partnership.
In A World...
By using an insular and seldom-explored industry as its basis, In A World… bubbles with considered comedy.
Why Escaping Reality is Good for Kids
The prejudice against fantasy novels misses the social and emotional value they offer, especially for young readers.
The Biennale talks Transfield
Panel discussion announced for the Biennale's opening in response to the questions raised surrounding Transfield's sponsorship.
Inaugural Melbourne Jewish Writers Festival
The small but bookish Jewish community has pulled the attention of high profile international guests.
In memorium: the newspaper
On Monday, just 525 copies of Melbourne's newest newspaper will be distributed - one for each paper that has died…