National
On the Move: Women in power appointments and departures
First Nations women appointed to key roles at both Melbourne Symphony Orchestra and Australian Museum, new company artist joins Australasian…
Theatre Review: Medea (Adelaide Festival)
A livestreamed theatre production from Amsterdam that refreshes the ancient story.
Why I left my art gallery
ArtsHub speaks with artists Luke Cornish (aka ELK) and Zoe Young on why they stepped away from gallery representation, and…
Dance Review: Structural Dependency by Brooke Leeder (Perth Festival)
An industrial, abstract dance work surprises with its intimate human touch.
Theatre Review: Black Brass by Mararo Wangai (Perth Festival)
An intimate journey between memory and reality, where the personal meets the political, is a quiet triumph in contemporary storytelling.
Opinion: The Greens' plans for the arts in WA
The continual underfunding of the arts does more than deprive arts workers of pay and job security. It deprives our…
Theatre review: Harry Potter and the Cursed Child Parts 1 and 2
After 49 weeks, The Boy Who Lived returns to the Melbourne stage – the first international production of the sequel…
Theatre Review: The Cherry Orchard (Perth Festival)
The BBQ is lit, the vodka is poured... it's time to party like it's 1988… or is it?
A catalyst for the Aboriginal art market, Papunya Tula turns 50
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects…
$500,000 grant round open for Indigenous Contemporary Music Program
Applications are now open for a $500,000 grant round as part of the Indigenous Contemporary Music Program aimed to support…