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Theatre review: Come Rain or Come Shine

This adaptation of Kazuo Ishiguro’s farcical short story has uneven notes.

A female circus performer photographed mid-air with an audience looking on behind her.
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Can Australian circus bounce back from pandemic disruption?

How will our medium-sized circus companies maintain international presence and profile post-COVID?

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Dance review: Harlequinade

A revival of a lost classic has charm, frivolity and elegance.

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Theatre review: Mother Courage and her Children

A resonant moment in contemporary times to restage Brecht's famous anti-war play.

People standing in a James Turrell light artwork
Features

ACMI’s latest exhibition unpacks light as both phenomena and subject

ACMI's new light exhibition pushes you around – mentally – like a rag doll, wowed by a roll call of…

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Musical review: Cruel Intentions: The 90s Musical

An anachronistic adaptation of a 90s movie that fails to address outdated attitudes regarding sex and consent.

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Exhibition review: To the Sounds, Josephine Mead

Combining photography, prose and sound, Josephine Mead's solo exhibition creates a reflective haven in the bustling CBD.

A gender diverse group of cabaret artists.
Features

Creating COVID-safe audience participation on stage

How does an artform that’s reliant on intimacy and audience participation adapt to COVID-safe protocols?

A group of male and female dancers dressed in white dance against an orange cloth blackground.
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Dance review: Manifesto

Nine dancers keep the beat with nine drummers in this explosive celebration of timing and choreography.

Erin Jean Norvill in a blonde wig as Dorian Gray gazes at himself/herself in a hand-held mirror.
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Festival review: RISING

Capsule reviews of a range of RISING productions including The Picture of Dorian Gray and Stephanie Lake Company's Manifesto.

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