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From Tate Modern to Newcastle, Atong Atem is making an impact

Atong Atem's photography allows the past and the future to co-exist in powerful ways, and it's being noticed internationally.

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Theatre review: Monument, Red Stitch Actors’ Theatre

Hats off to playwright Emily Sheehan: ‘Monument’ is first-class writing.

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Theatre review: Prophet, Theatre Works

An immersive theatre design enriches the impact of this dystopian vison.

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Exhibition review: Jemima Wyman, Sullivan+Strumpf, Melbourne

With each meticulously constructed collage, Jemima Wyman’s solo exhibition ‘World Cloud’ offers viewers transcendence.

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Exhibition review: Going Insein, Gertrude Glasshouse

Artwork inspired by the inhumane conditions of the largest prison in Myanmar/Burma.

Karin McCracken, second from right, with students. Image supplied.
Features

Theatre show tackles the tricky subject of consent education

The award-winning Aotearoa New Zealand production YES YES YES is undertaking an Australian tour as consent education is mandated in…

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Performance review: Becoming Eliza, Comedy Theatre

Anna O'Byrne regales us with how she was chosen by Julie Andrews to play the role of Eliza Doolittle in…

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What does an artist collective look like today?

Ten artist collectives come together in the Collective Polyphony Festival to reconsider what’s needed in our arts ecology today.

A low-angle photograph of a woman in a wheelchair at the bottom of a wheelchair ramp providing access to a building.
News

New grants program to support disability access infrastructure

Funding of $50,000 to $100,000 will be allocated to support physical refurbishments, sensory access upgrades and more.

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Dome screening review: XYZZY: Jess Johnson and Simon Ward, Neversphere

‘XYZZY’ is a visual and aural journey that tilts our world upside down.

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