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Programming with lived experience

From tackling the question "Where are you from?" to multilingual performances, these initiatives champion for visibility and understanding.

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Exhibition review: Don Quixote, Sutton Gallery

An exhibition based on The Australian Ballet's adaptation of Don Quixote.

Daniel Stoll, Florian Willeitner, Sander Stuart, Leonard Disselhorst, Vision String Quartet. Photo: Harald Hoffmann
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A string quartet playing classical works from memory

The acclaimed Vision String Quartet will embark on an extensive concert tour for Musica Viva on its first visit to…

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Performance review: Tubular Bells for Two, Arts Centre Melbourne

The seminal album as played by two blokes with over 20 instruments.

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Pathways for artists

Dealing with rejection, getting started, developing scripts, finding teams, writing grant applications... How do we support artists on the brink…

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Dancing on a tightrope: young dancers creating independent work for Fringe

Melbourne Fringe Festival continues its legacy of promoting cultural democracy and emerging artists with an exciting dance program for 2023.

White chalk on a black board. The top line is the letter A connected in squiggly line to the letter B, the bottom line is the letter A with a straight line to letter B.
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Accessible writing is for everyone

Accessible writing can be divided into two categories: plain language and Easy Read.

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Opera review: Capriccio, Palais Theatre

Victorian Opera’s Capriccio was an indulgent treat for music lovers and wordsmiths alike.

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Theatre review: Julius Caesar, fortyfivedownstairs

An excellent production that once again reminds us of the power of oratory.

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Performance review: Pattern of Plants, The Eleventh Hour Theatre

An ensemble with traditional Japanese and baroque Western instruments looked musically into the world of plants.

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