Melbourne

(Dis)connected to Country: mapping the intersections of place, identity and family
Jahkarli Felicitas Romanis interrogates the possibility of self-determination through photography.

Only the future revisits the past
The Centre for Contemporary Photography’s upcoming exhibition for PHOTO 2024 looks towards the past to speculate on future possibilities.

Theatre review: A Body at Work, La Mama
A dynamite debut solo from Frankie van Kan that delves into the world of strip clubs and sex work.

Exhibition review: Bloodlines by The Huxleys, Abbotsford Convent
An incredibly moving exhibition that pays tribute to artists who lost their lives in the AIDS epidemic.

Performance reviews: Ruff Trade and Trans Woman Kills Influencer, Midsumma Festival
‘Trans Woman Kills Influencer’ leans into the modern day, while Steven Dawson’s ‘Ruff Trade’ is a devilishly good tragedy set…

Performance review: Alchemy Consort: It Lights the Whole Sky, National Gallery of Victoria
Choral music performances that explored the connection between humanity and natural phenomena.

Exhibition review: Titanic: The Artefact Exhibition, Melbourne Museum
An easy one-hour amble through a well-trodden historical event with less focus on the Titanic’s artefacts than the exhibition title…

Theatre review: Slippery, The Butterfly Club, Midsumma Festival
Mayhem ensues when a polyamorous love square becomes a triangle and one of the lovers returns as a ghost to…

Creative development – a work in progress
What should creative development opportunities entail and look like today? ArtsHub attempts to find out.

Through the queer lens
Midsumma Festival and PHOTO 2024 join forces to present 'Queer PHOTO', with works that are bold, reflective, tender, intimate and…