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Jahkarli Felicitas Romanis, ‘Burnt’ (cropped) as part of ‘Dis(connected) to Country’. Photo: Supplied. A photographic work showcasing the portrait with no facial features, overlayed with the red desert landscape.
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(Dis)connected to Country: mapping the intersections of place, identity and family

Jahkarli Felicitas Romanis interrogates the possibility of self-determination through photography.

Work by Tace Stevens showing as part of group exhibition ‘Only the future revisits the past’ at Centre for Contemporary Art as part of PHOTO2024. Image: Supplied. Photography work that captures a residential shed in the glow of early evening sunset. The shadow of two figures are reflected onto the wall of the building.
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Only the future revisits the past

The Centre for Contemporary Photography’s upcoming exhibition for PHOTO 2024 looks towards the past to speculate on future possibilities.

‘A Body at Work’. Photo: Darren Gill. Two naked bodies lie on top of each other on a simple massage bed with their heads facing the viewer. A red light is illuminating their bodies.
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Theatre review: A Body at Work, La Mama

A dynamite debut solo from Frankie van Kan that delves into the world of strip clubs and sex work.

AIDS quilt on view at ‘Bloodlines by The Huxleys’. Photo: Supplied. A large quilt hangs inside a darkened gallery space with portrait photos of the many who lost their lives in the AIDS epidemic.
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Exhibition review: Bloodlines by The Huxleys, Abbotsford Convent

An incredibly moving exhibition that pays tribute to artists who lost their lives in the AIDS epidemic.

‘Ruff Trade’. Photo: Steven Dawson. Two performers in 16th century attire sitting on each side of a wooden table. One is looking toward the other, trying to make conversation.
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Performance reviews: Ruff Trade and Trans Woman Kills Influencer, Midsumma Festival

‘Trans Woman Kills Influencer’ leans into the modern day, while Steven Dawson’s ‘Ruff Trade’ is a devilishly good tragedy set…

It Lights the Whole Sky. Image is a choral group spread through a gallery space, standing on a multicoloured rug surrounded by 19th century paintings of weather phenomena and storms, singing. They all wear black suits and ties, and white shirts.
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Performance review: Alchemy Consort: It Lights the Whole Sky, National Gallery of Victoria

Choral music performances that explored the connection between humanity and natural phenomena.

Titanic. Image is of a replica grand staircase from the ill-fated Titanic passenger ship, on display at Melbourne Museum.
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Exhibition review: Titanic: The Artefact Exhibition, Melbourne Museum

An easy one-hour amble through a well-trodden historical event with less focus on the Titanic’s artefacts than the exhibition title…

Slippery. Image is three white faced clowns (one of whom is bearded and bald) with big ruffs and hearts on the front of their gowns.
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Theatre review: Slippery, The Butterfly Club, Midsumma Festival

Mayhem ensues when a polyamorous love square becomes a triangle and one of the lovers returns as a ghost to…

Creative development sessions for ‘Portaloo’ with L-R: Jennifer Piper and Rachel Edmonds. Photo: Sarah Clarke. In front of a high church-like round window, two women sit behind a table looking at the camera. They are watching something or someone and have snacks on the table in front of them. One on the right with short dark hair and glasses holds a pen. One on the left with medium length blonde hair is laughing.
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Creative development – a work in progress

What should creative development opportunities entail and look like today? ArtsHub attempts to find out.

Still from the film ‘Marungka Tjalatjunu (Dipped In Black)’ by Derik Lynch and Matthew Thorne, showing as part of Queer PHOTO. Image: Courtesy of the artists. A figure wearing a gold dress with long hair, standing against a purple and orange sunset in a desert landscape.
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Through the queer lens

Midsumma Festival and PHOTO 2024 join forces to present 'Queer PHOTO', with works that are bold, reflective, tender, intimate and…

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