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Olsen Gallery Booth A4 at Melbourne Art Fair 2024 with works by Jacqui Stockdale. Photo: Supplied. A gallery booth with one walls revealing paintings inside and a sculpture of a puppet-like woman with four arms.
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Best of Melbourne Art Fair 2024

What to see at this year's Melbourne Art Fair, which features contributions from over 60 galleries.

Future of Arts, Culture & Technology Symposium 2024 at ACMI, ‘Presenting the new canon in 2050’ panel. Photo: Gianna Rizzo. People sitting in a dark cinema with four people sitting on stage below a large screen showing a digital work (still). The work features a human figure moving their upper body with arms outstretched.
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Predictions for the arts canon in 2050

The future ultimately hinges on what gets preserved now, where tech hardware, copyright and data protection run alongside ethical considerations.

arts signage: street view of PICA (Perth Contemporary Arts Space) showing a large green sign saying "Art Lives Here".
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Why hide your light under a bushel? Lessons in signage for arts spaces

The power of art often lies in its subtleties, but when it comes to promoting your arts space, the opposite…

A curly-headed young man in traditional Sri Lankan dress dances joyfully on a bare stage.
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Counting and Cracking: RISING to stage Belvoir’s acclaimed theatrical epic

The Melbourne season of S. Shakthidharan’s multigenerational drama is being co-produced with University of Melbourne Arts and Culture.

A women dressed in 1940s fashion with rosy cheeks and a thoughtful gaze. She is wearing a purple velvet dress, with black feathered cuffs, holding a handbag shaped like a fan and a red beret. She sits on a worn green armchair and behind her are several paintings, including self portraits with a gold background.
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Exhibition showcasing the art of corsage and masking

Maya Tamang (aka Miss Martha) speaks on fashion, art therapy and disability in her exhibition at Abbotsford Convent.

Bus Stop at the Melbourne Holocaust Museum. Image is a red framed square on a red pole with a grid of writing on it.
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German artists Renata Stih and Frieder Schnock to launch installation at Melbourne Holocaust Museum

A reconstruction of a Berlin installation to commemorate the victims of Nazi concentration camps.

Meet Me at Dawn. Two women on a small stage set of a two sides of a broken down wall (with a door in one and window in the other), blue sand beneath. One woman is seated leaning back and the other is standing and gesturing with her palms face up.
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Theatre review: Meet Me at Dawn, Arts Centre Melbourne

Losing your bearings in this play about grief and loss.

Emil Cañita. A gloryhole made from a timber board reveals a seductive half-opened mouth with red lipstick and framed by black lace.
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At First I was Afraid: intimate and vulnerable photographs pay tribute to William Yang

Yang's works inspired Emil Cañita, who will soon be presenting their first solo exhibition at MARS Gallery.

Three young circus performers wearing clean white clothing perform acts on a stack of milk crates. One is holding the crates while another is performing the human flag, and a third is climbing on top of the tower. In the background is a wall of crates in black, green, red and blue, with the back wall covered with newspapers.
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Daring and intergenerational circus acts on the festival circuit

Circus shows from performers ranging from youths to sexagenarians are heading for MICF and Adelaide.

Anniversaries. Sculpture of big silver pillow on crowded beach.
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Who's celebrating significant anniversaries in 2024?

Surviving in the arts is hard. ArtsHub speaks with organisations celebrating significant anniversaries this year.

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