Melbourne
Dance review: Plagiary, Arts Centre Melbourne
'Plagiary' shows that while humans can respond creatively to AI, AI can’t replace human creativity... at least not yet.
Talk review: Fungi Futures, Now or Never 2024
Fungi Futures invited Melbourne audiences to discover the hidden properties of fungi and their implications for the planet's survival.
Exhibition review: The Art of Banksy: Without Limits, The District, Docklands
Banksy's extraordinary work to date is brought together in this unofficial exhibition. It's wonderful for viewers, but what would the…
The Johnston Collection
Inspired By Women
Inspired by Women at The Johnston Collection celebrates the many facets of women’s lives in the 1700s and 1800s, and the…
Music review: Soft Centre: Supermodel Late Night, Now or Never Festival, Trades Hall
A choose-your-own-adventure reeling through some of the most exciting experimental artists, but logistical constraints frustratingly made it almost impossible to…
Theatre review: Topdog/Underdog, Southbank Theatre
Two brothers wrestle with sibling rivalry, the stains of the past and the uncertainty of the future.
Exhibition review: No Vacancy Annual, No Vacancy
The biggest group exhibition at No Vacancy showed a full spectrum of local talent.
Festival review: Now or Never 2024 wrap
From techno beats and pulsating light displays to projections on water and mesmerising installations, Now or Never has been nothing…
Music review: Ben Frost/CORIN/ Eartheater/Gabber Modus Operandi, Now or Never 2024
An epic takeover of the Royal Exhibition Building took full advantage of the massive space with an incredible lineup.
Managing Director leaves MSO: Peter Garrett to conduct independent external review
Sophie Galaise has left the MSO after the Orchestra’s musicians made a statement of 'no confidence' in senior management.