Brisbane
Review: MSO Live | Stravinsky Double Bill
With concert halls closed for the foreseeable future, the MSO is presenting livestream and pre-recorded concerts online.
Book review: Coniston by Michael Bradley
What could be Australia’s last and least known genocide is laid bare in Coniston, which occurred just more than 100…
Book review: Aftershocks by Anthony Macris
Aftershocks is Macris’ selected interviews, essays and criticism as he asks, what comes after postmodernism in art?
Review: Ben Folds with The Queensland Symphony Orchestra, QPAC (QLD)
Folds travels the geography of the piano at high speed, contributing convincing grabs of colour, spidery finger flurries and gliss
Can outdoor events develop dance literacy in new audiences?
Supercell Festival of Contemporary Dance has moved its performance program outdoors and abolished ticket charges in order to reach audiences…
Review: Kate Tempest, QPAC (QLD)
Tempest is a force of nature, a stage stealer, a charismatic performer of sharply drawn narrative who crosses genre boundaries…
Review: CO_EX_EN, QPAC (QLD)
Impressive and evocative, Karul Projects’ performance tells the story of a cultural site on Bundjalung country.
Review: mi:wi, QPAC (QLD)
Expressive dancers create a beautiful sense of solidarity rooted in Ngarrindjeri culture.
Farewelling 40 years of history as a new chapter begins
As Metro Arts prepares to relocate to a new home in Brisbane’s West End, the organisation is throwing a festival…
Review: The Midsummer Carnival, Brisbane Powerhouse (QLD)
Brisbane Immersive Ensemble presents a whimsical reinterpretation of A Midsummer Night’s Dream.