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Two panels. On left is a woman with brown hair, glasses and a stripey blue and white top. On the right is cover of a book with 'Fiona McFarlane' in white font, 'Highway 13 in pink font' overlaid on image of a forest clearing with white birds.
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Book review: Highway 13, Fiona McFarlane

Brilliant stories about ordinary people all connected to a series of crimes.

A number of small ceramic artwork are attached to two white walls.
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Exhibition review: Searching Chords: Susie Choi, Mitchell Fine Art

Through her porcelain slip-cast inflatables, Susie Choi captures the zeitgeist of a generation.

Two panels in black and white. On the left is a woman with dark hair and skirt. She has her hands on her hips. On the right is a close up of a woman with grey hair.
News

Stella goes to Brisbane

Stella now heads over to Queensland to curate a free, one-day writers' festival.

Second Generation Collective awarded $100,000 through Creative Australia’s VACS Major Commissioning Projects Fund/PICA. A woman with flow brown hair swept up by the wind. She is hinding her face behind her hands with Farsi text. She is standing in a desert.
News

Opportunities and awards

Peter Porter Poetry Prize welcomes submissions, new Deaf Writing Commission, plus winners of PICA commissions and new ARIA Hall of…

art and food: A light-filled gallery and restaurant space with high ceilings and polished concrete floors with a large white circular sculptural installation in the middle of the room, and a waitperson walking past carrying a plate of food,
Features

Galleries harnessing art-foodie crossovers: what’s in their secret sauce?

As a state gallery dips its toe into fine dining at an exhibition, ArtsHub spotlights others who know the power…

Woman with grey hair and smiling wearing black next to textile art work. Liz Williamson.
News

Vale to celebrated weaver Liz Williamson

Liz Williamson took Australian textiles to the world through her passion for craft as a contemporary material for identity.

A huge repurposed wool shed with an audience inside looking to the left.
Features

Dunkeld Writers Festival – why would you want to be anywhere else?

This weekend's Dunkeld Writers Festival will explore the landscape and the memories it holds.

A woman holding a colourful abstract artwork that blocks out her face with colourful squiggles on her body. She is standing against a white backdrop.
News

ArtsPay joined by Australian Cultural Fund to support alternative funding model for the arts

The Australian Cultural Fund is the first government agency to join ArtsPay, a payment processing platform that shares profits with…

Pianist Jayson Gillham at the keys.
Opinions & Analysis

Cultural leadership in crisis: the Melbourne Symphony Orchestra debacle

The MSO's current woes echo similar missteps in the cultural leadership displayed by other major arts organisations. Is the shift…

‘Candice Lin: The Sex Life of Stone’, installation view at MUMA. An installation resembling three work stations with different lab equipment and large ceramic vessels beside each station. The space is filled with natural light thanks to a floor to ceiling window on the left side. The walls of the gallery space are paintings in a dark mahogany colour.
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Exhibition review: Candice Lin: The Sex Life of Stone, MUMA

Mineral politics, animal kinship and dark demonic romance come together in the work of Chinese American multidisciplinary artist Candice LIn.

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