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Features

Scrapping six Dr Seuss books is not cancel culture

Dr Seuss’s work contains racism and xenophobia, but should we judge him by today’s standards?

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Art world to farewell MCA director Elizabeth Ann Macgregor

After 22 years at the helm, taking the Museum of Contemporary Art Australia from near insolvency to international acclaim, Elizabeth…

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Opera Review: Bluebeard’s Castle, Opera Australia

This is a power-packed psychological opera squeezed into just 60-minutes, and manages to strike a contemporary #MeToo chord and questions…

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Opportunities and Awards Wrap

Queensland Music Awards announces new Innovation Award, NSW Musical Theatre Fellowship seeks applicants, Photo 2021 Perimeter prizewinner announced, and more.

Features

Q&A: Artist Wiliiam Yang on growing up gay and Chinese

He has been described as "the storyteller", blurring the boundaries of performance, photography and text to explore sexuality and identity…

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2021 Kat Muscat Fellowship shortlist announced

The shortlist for the 2021 Kat Muscat Fellowship is comprised of a diverse group of writers whose work explores trans’…

Features

Maximise your chances of winning a visual art prize

How do you get your entry to stand out from the crowd? Jane O’Sullivan surveys the prizes to see how…

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Book Review: Monsters – a reckoning by Alison Croggon

Croggon’s background as a poet is tangible, and her language in Monsters is flavoursome.

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Theatre review: The Boy Who Talked to Dogs, Slingsby/STCSA (Adelaide Festival)

The real-life story of dog-whisperer Martin McKenna, whose life took him from misery in Limerick to a new life in…

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Theatre Review: House (Perth Festival)

A story of such depth and nuance that there is enough to tantalise both children and adults alike.

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