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First Nations

Art Leven (formerly Cooee Art)

Gathul’puy | Belonging to the Mangroves

Gathul’puy [Belonging to the Mangroves] | Munhala Dhamarrandji and Muluymuluy Wirrpanda

Performances & Gigs

Studio Stocks

Melncholia

Discover 'Melancholia': Studio Stocks' Bold Tap Dance Premiere! Explore emotions through rhythm and contemporary movement. Captivating, challenging, and deeply moving.

Artistic Director Yaron Lifschitz (right) in rehearsal with the Circa ensemble. A shaven-headed man in black-framed glasses and black clothes gesticulates as he explains something to a group of shirtless men and women in dark green dresses in a rehearsal studio.
News

Circa’s Yaron Lifschitz receives ISPA Distinguished Artist Award

Lifschitz joins the likes of Taylor Mac, Robert Lepage, Laurie Anderson and Pina Bausch in receiving the accolade from the…

Detail of a glass artist making work with hot glass bubble
News

The Carreker Glass Fellowship will strengthen global ties for glass artists

This significant new philanthropic partnership is aimed at connecting glass artists in Australia and the US.

Expression of Interest

Gasworks Arts Park

Small Sculpture Residency at Gasworks Arts Park

The Gasworks Arts Park 2025 Small Sculpture Residency is a professional development opportunity to incubate new projects during a 3-month…

Mentorships

Gasworks Arts Park

Visual Art Residency at Gasworks Arts Park

The Gasworks Arts Park 2025 Visual Art Residency is a professional development opportunity to incubate new projects during a 3-month…

Black and white image of a women in 1970s taking self portrait. Carol Jerrems
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Exhibition review: Carol Jerrems: Portraits, National Portrait Gallery, Canberra

Subtlety lost in nostalgic voyeurism, as a retake on Carol Jerrems work is not as fresh as implied.

Singer Missy Higgins wearing a white pantsuit and holding a guiltar on stage. Behind her on the left is another musician playing the guitar.
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Music review: Missy Higgins, The Second Act Tour 2024, ALWAYS LIVE festival

Missy Higgins stands in her own power in the face of heartbreak and uncertainty.

Sarah Blasko, in white, is in the centre of the stage. Five musicians surround her. The lighting is in shades of purple.
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Music review: Sarah Blasko, Theatre Royal Castlemaine, ALWAYS LIVE festival

Sarah Blasko launches her seventh album to a captive Castlemaine audience.

people in gallery with installations made of ceramics and textiles. APT11
News

Unpacking the 11th Asia Pacific Triennial, and its bounceback

Sensitivity over the spectacular makes for a more nuanced survey of the region.

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