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A scene from Hamlet Camp, now playing at Carriageworks. Three fair-skinned, middle aged men dressed in white, are photographed in the midst of an intense performance.
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Hamlet Camp review: 'To be, or not to be' as an occupational hazard

Quick, funny, and uncomfortably human, Hamlet Camp drags you into a world where art won’t let go, and neither will…

Workshops

Hurstville Museum & Gallery

The Language of Ink: From Pictograms to Expression with Bryan Mew

Discover the beauty and rhythm of ink in this one-hour workshop with artist Bryan Mew at Hurstville Museum & Gallery.

Suichu Spica performs at SXSW Sydney Music Festival 2024 Opening Night Party. A guitarist with green hair stands with their back to the camera, their instrument slung in front of them and hands raised. A large crowd faces them.
News

SXSW Sydney quietly cancels 2026 festival and all future events

After three years, SXSW Sydney is calling it quits.

Featured
Closing: 6 Feb 2026

Business Development

Development Coordinator

Salary:

 $50,000 - $70,000

Featured
Closing: 18 Feb 2026

CEO & General Management

Chief Executive Officer

Performing Arts Guide

Australian Chamber Orchestra

ACO Up Close: Olli Mustonen plays Beethoven Sonatas

Olli Mustonen plays Beethoven Sonatas at ACO On The Pier in a one-night only performance. When the Finnish virtuoso plays…

Julia Phillips' Observer, Observed at Sydney Festival 2026. A man ion a white Terry Towling hat peers through a pair of bespoke binoculars, which form part of the artwork.
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Observer, Observed review: public art about public surveillance for Sydney Festival

Julia Phillips’ art installation on Pyrmont Bridge encourages us to reflect on our willingness to participate in the surveillance state.

A dance sequence from Post-Orientalist Express, 2026. A shirtless male dancer poised on one foot with his arms extended; he wears a colourful headdress and costume.
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Post-Orientalist Express review: spectacle, parody, and the limits of post-orientalist dance in a festival economy

A fascinating but unresolved Sydney Festival production by avant-garde Korean choreographer Eun-Me Ahn.

Featured
Closing: 11 Feb 2026

Theatre, Business Development

Executive Director

Salary:

 $70,000 - $90,000

Skills: 

Time Management, Attention to Detail

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Expression of Interest

SHIFT: Supporting New Approaches to Touring

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