Adelaide
Review: The House is Live, Adelaide Cabaret Festival
The world’s biggest and best cabaret festival kicks off with a glittering opening gala.
Review: Beethoven: The Piano Concertos - Concert One, Adelaide Symphony Orchestra
Guest soloist Jayson Gillham shines in Beethoven’s First Concerto.
Review: Beethoven: The Piano Concertos - Concert Two, Adelaide Symphony Orchestra
The surprisingly modern Fourth is considered by many pianists to be the most beautiful piano concerto ever written.
Review: End of the Rainbow, Adelaide Cabaret Festival
Helen Dallimore captures the complexity of Garland’s character in a stellar performance.
Review: Cunning Little Vixen, State Opera (SA)
A rapturous affirmation of life, love, and opera, with surprisingly contemporary themes.
Review: Fond Farewells – Master Series 3, Adelaide Symphony Orchestra
Classical music’s newest rock star gives a dazzling performance in Adelaide.
Review: Sally Smart The Violet Ballet, ACE Open
In a cross-cultural colonial collision, 1920s avant-garde dance is brought to the fore of 21st century making at the hands…
Make your mark in Adelaide with a new $240,000 public art commission
Expressions of Interest are now invited for this significant opportunity to install an iconic artwork in the heart of the…
Exit interview: Geordie Brookman, State Theatre Company SA
Brookman looks back on the challenges and highlights of his term as Artistic Director after seven years at the company’s…
$129 million boost to Adelaide's cultural economy
$85M to new Aboriginal Art Gallery, a $9M boost towards construction of The Heysens, a $3M boost for Carrick Hill…