Adelaide
New festival promises more than just bright lights on cold nights
Illuminate Adelaide, the nation’s latest winter arts festival, has released the first glimpse of its inaugural program.
Theatre review: The Boy Who Talked to Dogs, Slingsby/STCSA (Adelaide Festival)
The real-life story of dog-whisperer Martin McKenna, whose life took him from misery in Limerick to a new life in…
Find the freedom to create your future in music and sound
Gear up for an exciting career in music and sound production with a TAFE SA course at Adelaide College of…
Review: Natsuko Plays Beethoven, ASO
Concertmaster Natsuko Yoshimoto farewells the ASO with an exhilarating performance.
Review: Gaslight, State Theatre Company of SA
Adelaide audiences enthusiastically embrace Australia’s first mainstage post-COVID production.
South Australia slowly returns to performance as usual
The first mainstage production in Adelaide post-COVID is preparing to open at the newly refurbished Her Majesty’s Theatre in September,…
How indie theatre-makers are fighting back after COVID-19
Independent theatre companies in Adelaide are preparing to welcome back audiences, but how will a post-COVID world shape their programming?
Exit interview: Joseph Mitchell, Artistic Director, OzAsia Festival
After five festivals, Mitchell has moved onto new challenges. Just before he left, he spoke with ArtsHub about the highs…
Review: Mouthpiece, Adelaide Festival (SA)
Kieran Hurley’s thrilling drama interrogates poverty porn clichés, the rules of playwriting, and asks who has the right to tell…
Review: Cold Blood, Adelaide Festival (SA)
Technically adept and visually striking, this Belgian production uses miniature sets, live video editing and the performers’ fingers to bring…