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Evie (aged 8), Dr Pamela Wall AO, Douglas Gautier AM, CEO and Artistic Director of Adelaide Festival Centre, Leila (15) and Emerson (10) at Adelaide Festival Centre.
News

$10 million philanthropic gift will support Adelaide Festival Centre’s arts programming

Dr Pamela Wall AO’s $10 million pledge is the largest performing arts donation ever made in South Australian history.

Exhibitions

City of Onkaparinga

Andrea Przygoński - Sounds like... - Sauerbier House Artist in Residence Exhibition

A breath of wind, a shallow splash, a quiet rustling and sounds of silence are melded and transformed to capture…

Exhibitions

City of Onkaparinga

Erin Daniell- SALT- Sauerbier House Artist in Residence Exhibition

SALT is a body of small-scale objects crafted using cire perdu techniques as a response to the Port Noarlunga beach.

Trio Da Kali played as part of Chamber Landscapes 2025 'Horizon' and 'Dialogue in Sound' at Adelaide Festival 2025.
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Music reviews: Horizons Chamber Landscapes 2025 and Dialogues in Sound, Adelaide Festival 2025

A concert that offered hope for the world and a rousing musical statement in a gilded Victorian concert hall.

L-R: Soprano Claire de Sévigné and clarinettist Lloyd Van’t Hoff made beautiful music together at Adelaide Festival 2025.
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Music review: Daylight Express, Elder Hall, Adelaide Festival 2025

Six exquisitely fashioned gems as part of a two-week series of lunchtime recitals at Elder Hall, The University of Adelaide.

Exhibitions

City of Onkaparinga

Paul Gazzola - HANDS THAT THINK - Sauerbier House Artist in Residence exhibition

Hands that Think explores how touch, and a process of material thinking, plays a pivotal role in the way artists…

A man in drag on stage. There is a band behind him.
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Performance reviews: Hedwig and the Angry Inch and Camille O’Sullivan: Loveletter, Adelaide Festival

Two Adelaide Festival shows look to the past, but with varying degrees of success.

A chalk drawing of a figure on the ground. There is someone dressed as a king and a detective overlooking it.
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Performance review: Dropped in It: Crime Scene Improvisation, Adelaide Fringe

An improvised crime scene comedy where one-liners and terrible puns could prove deadlier than any weapon.

A scene from Forced Entertainment's 'Complete Works: Table Top Shakespeare' at Adelaide Festival 2025.
Features

If all the world’s a stage, why can’t the stage be a Shakespearean table top?

Forced Entertainment’s Tim Etchells describes the inspiration for and the development of the company’s ‘Complete Works: Table Top Shakespeare’.

A two-storey structure, with separate rooms. There is a conductor at the front.
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Opera review: Innocence, Festival Theatre, Adelaide Festival

A complex and multilayered production about collective guilt and trauma that deployed different languages and singing styles.

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