Adelaide
Dance review: Infinitely Closer, Festival Theatre
A boundary-pushing experiment with a powerful impact.
Performance review: 我咽下一枚铁做的月亮 I Swallowed a Moon Made of Iron, Dunstan Playhouse
Poetry revealing the despair of a factory worker was turned into songs that tugged at the heartstrings.
Knowledge sharing through Asian Australian studies
The Asian Australian Studies Research Network will present its biennial identities conference as part of this year’s OzAsia festival.
Summer festival season heats up as programs launch nationwide
Adelaide, Perth and Sydney Festivals launched their 2024 programs this week, with Mona Foma waiting eagerly in the wings.
Tarnanthi 2023 weaves personal stories with skyward visions
From the miniature to the epic, this year’s Tarnanthi group show is united in its capacity to takes us to…
Exhibition review: Vincent Namatjira: Australia in Colour, Art Gallery of South Australia
Namatjira's paintings examine the politics of history, power and leadership from a contemporary Aboriginal perspective.
Performance Review: Paradise or the Impermanence of Ice Cream, Space Theatre, OzAsia Festival
A brilliant monologue brimming with existential angst and traditional Indian ice cream.
Dance review: tiaen tiamen Episode 1, Dunstan Playhouse
Experimental and futuristic, but with its heart grounded in Indigenous culture, this work is the first part of a trilogy…
Don Dunstan’s legacy lives on for Adelaide Festival Centre’s 50th anniversary
Public conversations exploring the influence of the arts and the legacy of Don Dunstan will be held as part of…
Theatre review: Ink, Little Theatre University of Adelaide
The Australian premiere of James Graham's play is an entertaining, witty and immersive three-hour performance.