Thuy On

Thuy On is the Reviews and Literary Editor of ArtsHub and an arts journalist, critic and poet who’s written for a range of publications including The Guardian, The Saturday Paper, Sydney Review of Books, The Australian, The Age/SMH and Australian Book Review. She was the Books Editor of The Big Issue for 8 years and a former Melbourne theatre critic correspondent for The Australian. She has three collections of poetry published by the University of Western Australian Press (UWAP): Turbulence (2020), Decadence (2022) and Essence (2025). Threads: @thuy_on123 Instagram: poemsbythuy

Thuy On's Latest Articles

News

Exit interview: Anna Moulton, Magabala Books

The outgoing CEO of Magabala Books is proud to be leaving a thriving organisation.

News

What are the manuscript submission details for Australian publishers?

ArtsHub has compiled a list of Australian publishers currently accepting manuscripts.

Features

Should literary prizewinnings be shared among the shortlist?

Should the winner take it all?

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Performance review: Crouching Tiger Hidden Dragon: Film with Orchestra, Hamer Hall

With the backing of an orchestra, this multi award-winning movie was sonically resonant.

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Book review: A Line in the Sand, Red Room Poetry

A sample of 20 years of Australian poetry is showcased in this wide-ranging anthology.

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Revamped beachside venue to house new artistic program of treats

Bondi Pavilion has had the makeover of a lifetime and is now showcasing a range of cultural offerings.

News

Shankari Chandran wins 2023's Miles Franklin Award

Chai Time at Cinnamon Gardens takes out the most prestigious literary prize in Australia.

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Musical review: Bloom, Arts Centre Melbourne

A musical set in an aged care facility? Sounds like a difficult task, but Bloom comes up roses.

Features

A poem for everyone in August

Poetry Month is rolling across the country once again, showcasing a raft of readings and events. ArtsHub asked some participating…

News

So you want my arts job: Actor

Acting is just standing around pretending, right? Not so, says Aaron Walton, about a craft that is more complicated than…

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