Savannah Indigo

Savannah Indigo is a researcher and copywriter, trained in publishing, dance, literature and law. Passionate about gender issues and promoting equity through tech design, she has researched Indigenous Data Sovereignty for the Commission for Gender Equality in the Public Sector and is developing a paper about harassment in the Metaverse. She has written for Brow Books, Books+Publishing magazine, The Journal of Supernatural Literature (Deakin University) and the Science and Technology Law Association, and is a 2022 Hot Desk Fellow at The Wheeler Centre.

Savannah Indigo's Latest Articles

The Visitors. Image is three First Nations singers with face paint and a bare tree trunk, wearing dark, grey and brown robes.
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Opera review: The Visitors, Arts Centre Melbourne

Victorian Opera's adaptation of Jane Harrison's novel and play leads audiences to new ways of thinking about opera and Australia’s…

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Ballet review: Swan Lake, Arts Centre Melbourne

The Australian Ballet’s revival of Anne Woolliams’ 1977 'Swan Lake' is sure to delight devoted classical ballet lovers.

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Opera review: Capriccio, Palais Theatre

Victorian Opera’s Capriccio was an indulgent treat for music lovers and wordsmiths alike.

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Ballet review: Giselle, Arts Centre Melbourne

The Tokyo Ballet production of this beloved classic is enough to prove the existence of magic.

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Opera review: Idomeneo, Palais Theatre

A striking co-production that draws on Greek mythology to offer hope for a new world.

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Opera review: Melbourne, Cheremushki, Arts Centre Melbourne

An aggressively Melbourne (tote bag included) version of the Russian original opera.

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Theatre review: Amadeus, Sydney Opera House

An almost successful fusion of fashion, theatre and music in the reimagination of the lives of Salieri and Mozart.

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Dance review: PIECES 2022

An experimental wonder displaying the radical power of contemporary dance.

Monsters
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Dance review: Monsters

An uncomfortable, thrilling glimpse into the darkness with which we are all learning to live.

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Dance review: Romeo and Juliet

Grandeur reigns as John Cranko’s Romeo and Juliet returns to the Australian stage.

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