Savannah Indigo

Savannah Indigo is a researcher and copywriter, trained in publishing, dance, literature and law. Passionate about gender issues and promoting equity through tech design, she has researched Indigenous Data Sovereignty for the Commission for Gender Equality in the Public Sector and is developing a paper about harassment in the Metaverse. She has written for Brow Books, Books+Publishing magazine, The Journal of Supernatural Literature (Deakin University) and the Science and Technology Law Association, and is a 2022 Hot Desk Fellow at The Wheeler Centre.

Savannah Indigo's Latest Articles

Singer Missy Higgins wearing a white pantsuit and holding a guiltar on stage. Behind her on the left is another musician playing the guitar.
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Music review: Missy Higgins, The Second Act Tour 2024, ALWAYS LIVE festival

Missy Higgins stands in her own power in the face of heartbreak and uncertainty.

A white tent in a field surrounded by festivalgoers at Queenscliffe Music Festival.
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Music review: Queenscliff Music Festival

Queenscliff Music Festival brought fresh and established talent to the picturesque Victorian coastal town.

Anyma, a man in black with his back to us facing some silver metallic music decks.
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Music review: Anyma’s Genesys, Flemington Racecourse, ALWAYS LIVE Festival

Anyma’s Genesys was an electronica-induced endorphin rush.

Duplicate images of musician Chet Faker in shades of brown. He is holding a microphone stand.
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Music review: Live At The Gardens with Chet Faker, ALWAYS LIVE Festival

Live At The Gardens with Chet Faker teased what it’s like to be in Melbourne for a summer of music,…

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Dance review: Wayfinder, Monash Performing Arts Centre 

An intricate and wild fusion of music and movement.

Two leading women opera singers (Deborah Humble and Helena Dix) in black with a chorus on singers in the background. Puccini.
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Opera review: Puccini Gala: Suor Angelica, Athenaeum Theatre

A one-act opera and gala concert that showcases the best of Melbourne Opera talent.

A man has a switchblade against a woman's throat in the production of 'Sweeney Todd.'
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Opera review: Sweeney Todd, Arts Centre Melbourne

A wickedly delicious production from Victorian Opera and New Zealand Opera.

A group of dancers are performing in 'Plagiary'. There is text above them as they dance.
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Dance review: Plagiary, Arts Centre Melbourne

'Plagiary' shows that while humans can respond creatively to AI, AI can’t replace human creativity... at least not yet.

A woman wearing a fancy ruffly red dress and tiny matching hat is standing in front of a pop art sign that says 'Popera.' She has one arm stretched out.
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Performance review: Popera: Sex, Death & Politics, The Butterfly Club

Uma Dobia plays a feminist icon in 'Popera', ready to stamp out opera’s entrenched sexism in sparkly knee-high boots.

MSO. Dan Sultan. A man is seated at a piano on the left. He's singing. In the background are an orchestra of strings. A conductor is on the right.
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Music review: Dan Sultan x MSO, Hamer Hall

This masterful collaboration demonstrated the immense power of elevating First Nations voices on the orchestral stage.

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