Richard Watts

Richard Watts OAM is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize in 2020. In 2021 he received a Lifetime Achievement Award from the Green Room Awards Association. Most recently, Richard received a Medal of the Order of Australia (OAM) in June 2024. Follow him on Twitter: @richardthewatts

Richard Watts's Latest Articles

News

The Giants take Perth by storm

An audience of 1.4 million flooded the streets for the opening event of Perth International Arts Festival.

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Not I, Footfalls, Rockaby

Three short plays by Samuel Beckett performed with remarkable fluency by Irish actor Lisa Dwan.

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Mozart Dances

This sublime work, choreographed by Mark Morris, was performed to a live score played by the West Australian Symphony Orchestra.

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The Rabbits

This opera for children tells a story of colonialism and survival, but lacks emotional heft and its score never fully…

Features

Tasmanian theatre revival bridges pro-am divide

The inaugural Tasmanian Theatre Awards, to be presented later this month, demonstrate the vitality of a sector structurally different from…

Features

Ten unmissable shows at Perth International Arts Festival

From dance and theatre to contemporary music and visual art, here are our picks of the shows to see at…

Career Advice

How to stand out at Fringe

With hundreds of other shows, and thousands of other artists to compete with at Fringe, how to lesser-known artists get…

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Jumpy

This contemporary take on the mid-life crisis needs stronger direction and a more nuanced lead to bring it to fuller…

Features

The pros and cons of profit share

It’s a common contract among indie theatre-makers, but the prevalence of profit share agreements also warrants some concern.

Features

Depression, cancer, grief...lining up to be made miserable

Why do we plumb life’s darkest depths to make our art – and why do audiences seek out such experiences?

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