Richard Watts

Richard Watts OAM is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize in 2020. In 2021 he received a Lifetime Achievement Award from the Green Room Awards Association. Most recently, Richard received a Medal of the Order of Australia (OAM) in June 2024. Follow him on Twitter: @richardthewatts

Richard Watts's Latest Articles

Features

Flexing our tuckshop arms

Mature age artists are breaking down the stereotypes of ageing to reimagine our concepts of beauty and vitality.

News

Students occupy SCA, protest at NAS

Students at two Sydney's major art schools are protesting as the future of fine art education remains uncertain.

Features

Soft power: the arts of diplomacy

Cultural diplomacy helps advance Australian influence and fund global arts engagement but it also places political pressure on artists.

Features

Australian festivals have turned their back on Asia

Instead of encouraging an artistic conversation with our neighbours, our festivals tend to focus on European culture.

News

Inspire60: Simon Abrahams

The Creative Director & CEO of Melbourne Fringe is inspired by artistic democratisation and the way art can change the…

Features

Opera and circus: strange bedfellows

Contemporary art form meets 17th century tradition; an unlikely pairing rich with potential.

News

Youth theatre company forced to close

A loss of funding means another arts company is closing this month.

Sponsored

Asia is not one country: how art breaks down stereotypes

Adelaide’s OzAsia Festival shines a new light on the diverse cultures of our close neighbours.

News

Barrie Kosky returns to Adelaide

The former Adelaide Festival Artistic Director's epic Handel opera Saul will play exclusively at the 2017 festival.

Features

How to start a new festival

Old festivals close but newcomers draw crowds. In a saturated market, how does a new festival get a foothold?

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