Richard Watts
Richard Watts's Latest Articles
Theatre’s demise has never been so entertaining
Performance collective post and Hong Kong Repertory Theatre have cut up the Western theatrical canon and reassembled it as irreverent,…
Review: The Doctor, Adelaide Festival (SA)
Exquisitely written and performed, this drama about identity, gender, faith and science is mesmerising and utterly of the moment.
How focusing on the sector’s vitamin deficiencies makes work stronger
Perhaps best known as a touring body, Performing Lines has a key role to play in strengthening the sector by…
Black Swan rejects conflict of interest concerns
Andrew Forrest’s Fortescue Metals Group being the principal sponsor of Black Swan State Theatre Company raises potential governance concerns, given…
Adelaide Fringe at 60
Over six decades to date, the Adelaide Fringe has been both a playground and a career springboard for Australian and…
50 Australian composers commissioned by Sydney Symphony Orchestra
Composers from almost every state and territory, half of them women, have been commissioned to create works across a broad…
Something fresh in the state of Denmark
Designer Anna Tregloan describes how she has brought Hamlet’s wintry world to the stage for Bell Shakespeare’s 30th anniversary.
Review: Beethoven 9, Circa and Cheetham, Arts Centre Melbourne (VIC)
Just as Beethoven’s Ninth blends instrumental music and choral music to thrilling effect, so too the fusion of orchestral music…
Acting and addiction: new play explores sector’s wellbeing challenges
A jobbing actor’s drug and alcohol-fuelled descent into the hell of addiction is explored in a new Australian play.
Can outdoor events develop dance literacy in new audiences?
Supercell Festival of Contemporary Dance has moved its performance program outdoors and abolished ticket charges in order to reach audiences…