Peter Hackney

Peter Hackney is an Australian-Montenegrin writer and editor who lives on Dharug and Gundungurra land in Western Sydney - home to one of Australia’s most diverse and dynamic arts scenes. He has a penchant for Australian theatre but is a lover of the arts in all its forms. A keen ‘Indonesianist’, Peter is a frequent traveller to our northern neighbour and an advanced student of Bahasa Indonesia. Muck Rack: https://muckrack.com/peterhackney https://x.com/phackneywriter

Peter Hackney's Latest Articles

A man with a salt and pepper beard is standing to one side and looking into the distance. He is wearing a white tunic and a crown made of flowers and leaves.
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Theatre review: King Lear, Neilson Nutshell, Pier 2/3

Bell Shakespeare takes a minimalist approach to 'King Lear' in its first production of the play since 2010 – with…

Ten figures are sitting cross-legged in formation with their hands raised above their heads. They are wearing light, floaty trousers. The men are bare-chested. The women are wearing brown-coloured bras.
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Dance review: Horizon, Drama Theatre, Sydney Opera House

Bangarra Dance Theatre’s darkly beautiful new production draws upon the ancient roots of both Australian and New Zealand First Nations…

Death in the Pantheon. On a dark stage two actors are bathed in green light. One can only be seen from the neck down and is holding an ornate drinking contraption, with a red glass case, the other is bending below it to drink.
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Theatre review: Death in the Pantheon, Flight Path Theatre

The latest production from Sydney’s Upper Crass Theatre Company is somewhat flawed – but not without its charms. 

A woman is kneeling in the middle of a stage, with her head back. Plumes of fire are coming out of her mouth
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Performance review: Limbo – The Return, The Grand Electric

Strut & Fret hits the mark with this bacchanalian mix of cabaret, circus and acrobatics. 

Right side profile of teenage girl who's reading a script. She's facing a camera. A projected image of a man and a woman is presented on a screen above on the left hand side.
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Performance review: POV, Belvoir St Theatre

Two child actors and 36 unrehearsed adult actors participate in an engrossing mash-up of stage and screen techniques. 

Ink by New Theatre. Six people are lined up on a dark stage holding identical copies of The Sun newspaper in front of themselves, obscuring their faces.
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Theatre review: Ink, New Theatre

New Theatre makes a good fist of James Graham’s play about Rupert Murdoch’s first forays into Fleet Street. 

Ulster American. Three actors on a stage set of a loft type apartment. A woman in a short sleeved lilac jumper sits downstage. Behind her centre stage is a bearded man all in black with a baseball cap backwards and an Oscar in his outstretched hand; he is shouting. A third balding man with glasses stands on the right behind a tan leather couch clasping his hands and watching the man in the centre.
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Theatre review: Ulster American, Ensemble Theatre

Feminism, #MeToo, toxic masculinity, the Northern Irish ‘Troubles’ and the theatre itself are dissected in this provocative work.

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