Pamela See

Pamela See (Xue Mei-Ling) is a Brisbane-based artist and writer. During her Doctor of Philosophy (PhD) from Griffith University, she researched post-digital applications for traditional Chinese papercutting. Since 1997, she has exhibited across Europe, Asia, North America and Australia. The collections to house examples of her artwork include: the Huaxia Papercutting Museum in Changsha, the National Gallery of Australia (NGA) in Canberra, and the Art Gallery of South Australia (AGSA) in Adelaide. She has also contributed to variety of publications such as: the Information, Medium and Society Journal of Publishing, M/C Journal, Art Education Australia, 716 Craft and Design, and Garland Magazine.

Pamela See's Latest Articles

Colourful artwork with different patterns from Yuriyal Bridgeman depicted in panels upright and on the floor.
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Exhibition review: Yuriyal Bridgeman: yubilong(mi)bilongyu, Griffith University Art Museum

This survey investigates the significant mark Yuriyal Bridgeman has made on Australia’s post-colonial arts landscape.

A fabric and skeleton of a dinosuar arranged on a balustrade by artist Mark du Potier.
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Exhibition review: Mark du Potiers: Some Days My Skin Just Isn’t So Thick, Queensland Multicultural Centre

Queer Asian Australian artist, Mark du Potiers, delicately deconstructs discrimination through his assemblages and needlework.

A series of colouful bendy sculptures by artist Renee Kire are enclosed in glass.
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Exhibition review: Renee Kire: Twist and Turn, Rockhampton Museum of Art

Renee Kire addresses women’s minimalist sculpture.

A number of small ceramic artwork are attached to two white walls.
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Exhibition review: Searching Chords: Susie Choi, Mitchell Fine Art

Through her porcelain slip-cast inflatables, Susie Choi captures the zeitgeist of a generation.

Stanthorpe. A white walled gallery space with art on the walls, pictured from the mezzanine level looking down some stairs.
News

Reopening of regional gallery a boon for creatives and locals

With a reach that extends far beyond the Southern Downs Region, Stanthorpe Regional Art Gallery's reopening has repercussions for creatives…

Various ceramic pots of different colours and shapes are sitting on tables.
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Exhibition review: Clay on Country: Ceramics from the Central Desert, Logan Art Gallery

An exhibition that reveals a remarkable richness of natural and cultural resources in the Central Desert Region is making an…

Founders of Here Space, Michelle Vine and Perrin Ellis. Photo: Claudia Baxter. Two people sitting on a sofa in the middle of a brightly lit studio space.
Features

Meanjin artists diversifying skills to create facilities independent of government funding

Cyber Bunker and Here Space are the most recent facilities initiated by entrepreneurial artists to build diverse communities in Meanjin/Brisbane.

Jessica Nothdurft, 'The Cage', 2023, bronze, cotton and human hair. Installation view in 'Silly Girl' at artisan. Photo: ArtsHub. A small bronze figure with a blue striped dress, no facial expressions and long hair trapped inside a small bronze square cage.
Features

Artist hopes to generate awareness and 'release emotions' this Domestic and Family Violence Prevention Month

Artist Jessica Nothdurft shares her experiences and emotions in an endeavour to generate greater awareness of domestic violence.

Jumaadi, ‘Malaikat [Angel I]’, 2019-. Acrylic on buffalo hide. Collection of the artist. Image: Supplied. A detailed work depicting two figures flying with white wings and meeting each other in the centre. They both have two eyes on the side of their heads. In the background is an irregular oval with a circle of trees inside and a white bird on the bottom right corner.
Features

Forming amicable relations between adversarial nations through art

Australian and Indonesian artists traverse a political divide to find common ground and bring distinct ways of addressing shared concerns.

Installation view, 'Dawn Ng: Avalanche', Institute of Modern Art, Brisbane, 2024. Image: Courtesy of the artist and Sullivan+Strumpf. Photo: Carl Warner. A video still against a black background that depicts a ice block coloured in different shades and melting.
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Exhibition review: Dawn Ng: Avalanche, Institute of Modern Art

A single-channel video that can evoke different emotions and interpretations.

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