Ned Hirst

Ned Hirst is a lawyer and writer based in Sydney whose work has appeared in Overland, The Australian Law Journal and elsewhere. He tweets at @ned_hirst.

Ned Hirst's Latest Articles

Two men. One is standing (Drew Forsythe), one is seated at a piano (Phil Scott) in a production of 'The End of the Wharf as we know it.'
StarsStarsStarsStarsStars

Performance review: The Wharf Revue: The End of the Wharf As We Know It, Seymour Centre 

After 25 years, The Wharf Revue – famous for lampooning Australian politicians – is presenting its final show.

The cast of 'McGuffin Park', two women and three men, in grey clothing are in a building with a fallen fake plant. On the left is a sign attached to a lectern that says 'McGuffin regional council.'
StarsStarsStarsStarsStars

Theatre review: McGuffin Park, Ensemble Theatre

An unholy match between politics and media spin.

A woman with a purple rinse in her brown hair, Olivia Xegas, and wearing a back top is standing back-to-back with a young blond man., Harry Reid.
StarsStarsStarsStarsStars

Theatre review: Berlin, Flight Path Theatre

A tense two-hander played against the shadows of history.

Four soldiers in shadow standing in pairs in the background. In the foreground are two soldiers, crouching on the ground, each one holding a woman in his arms. The women are wearing white gowns.
StarsStarsStarsStarsStars

Opera review: Così fan tutte, Sydney Opera House 

If you can forgive the problematic sexual politics, 'Così fan tutte' is enormous fun.

A darkened stage lit up by three small lamps. A middle-aged man and a woman are seated centrally at a table. To the left is an older man with a guitar, on the right and older woman knitting.
StarsStarsStarsStarsStars

Theatre review: Uncle Vanya, Ensemble Theatre

Joanna Murray-Smith's adaptation of Chekhov's classic play is elegant and tasteful.

A person with dark trousers, short hair and a towel around their neck is standing in the distance of a set made to look like an empty pool. There is a stepladder on the top right. Swim.
StarsStarsStarsStarsStars

Theatre review: Swim, Carriageworks

A trip to a public pool provokes deep, submerged reflections.

A man in a white shirt, black pants and tie is standing in front of an office set. He's got on hand on his hip and another pointing at the viewer.
StarsStarsStarsStarsStars

Theatre review: The Gospel According to Paul, Sydney Opera House

Jonathan Biggins returns for another season in office as our former Prime Minister.

Never Closer. Four student looking types lounge around a shared house set at Christmas time. One woman brandishes a bottle towards a man and a woman sitting at a table. A fourth man leans to the side wearing a Santa hat.
StarsStarsStarsStarsStars

Theatre review: Never Closer, Belvoir St Theatre

Set against the backdrop of The Troubles in Northern Ireland, this debut play returns for another successful run.

Switzerland. A theatre set of a writer's study with grey concrete walls, a two seater leather backed couch, a wooden coffee table and downstage a cluttered desk with a middle aged white woman working at a typewriter. Behind her a young white man has come through the door and looks nervous.
StarsStarsStarsStarsStars

Theatre review: Switzerland, Ensemble Theatre

Patricia Highsmith is all the rage at the moment, so it's a good time to stage Joanna Murray-Smith's play about…

Saplings. Image is three young men on stage, one seated on the ground, two standing and looking down at him. They are all behind a large net-like curtain.
StarsStarsStarsStarsStars

Theatre review: Saplings, Sydney Festival

Stories of young people in the youth justice system.

1 2 3 4