Kim Hitchcock

Kim Hitchcock is a freelance writer based in Melbourne who has an interest in all art forms and enjoys exploring them locally and abroad. He has completed a Master of Art Curatorship at the University of Melbourne and can be reached at kimhuyphanhitchcock@gmail.com

Kim Hitchcock's Latest Articles

The silhouette of a woman and a man can be seen behind a lit up sheet. Around them there are planks of wood, greenery and a TV set.
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Theatre review: The Last Train to Madeline, Meat Market Stables

A two-hander that tracks an evolving friendship through time.

Suhani Shah. A woman with a short bob haircut wearing a sparkling maroon pantsuit is standing on stage in front of heavy curtains. She has her left arm raised and fingers pointed to the sky.
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Performance review: Suhani Shah, Spellbound, RISING Festival, The Capitol

A magic mentalist show from a star Indian performer.

A dancer stands posed, arms outstretched and slightly crouched. She holds an arrow in her teeth. Behind her is a dramatic, green-tinted photograph of the sun depicting several solar flares.
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Dance review: Arkadia, RISING Festival, The Substation

An imaginative dance opera by choreographer Melanie Lane.

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Theatre review: Blackout Songs, Red Stitch Actors' Theatre

A two-handler about alcoholism and memory.

Ghosts. A young woman in a white dress stands on stage in a dark and gloomy house set with a blue/purple light behind where through the window. There is a lonely chair and piles of books near her.
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Theatre review: Ghosts, Theatre Works

A new iteration of Ibsen's work retains the core, but moves the action from Norway to the Australian outback.

the Odd Couple. On a stage set of a New York apartment in the 1960s four white actors stand centre stage. On the left is a man in a brown jacket side on, addressing the others. Next to him is a fastidious man in a blue suit and red tie, holding something covered in a tea towel. Next is a blonde woman with a yellow, pink and white sleeveless dress and finally a woman with short dark hair and a yellow and green sleeveless dress. She is also facing in to the others.
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Theatre review: The Odd Couple, Comedy Theatre

Decades later, Neil Simon's play still feels sharp and relatable.

The Word. On a dark stage a group of young people sit in a huddle. They wear shades of green and are turned to a young woman in the middle who is standing. Some of them point at her.
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Theatre review: The Word, Abbotsford Convent

A youthful cast of 11 grapple with meaning and the power and absence of words.

The Roof is Caving In. La Mama Courthouse. Three young women on a stage draped in fabric. In the middle is a woman in white and light blue with her arms around a woman dressed in orange on the left and purple on the right. They are crouching under the middle woman's grasp and hold their belongings in boxes.
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Theatre review: The Roof is Caving In, La Mama Courthouse

A very topically-themed play about share housing.

Image: The Butterfly Club. The Librar(IAN) poster with a digitally edited image showing a portrait of a person smiling set against a bookcase.
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Theatre review: The Librar(IAN), The Butterfly Club

‘The Librar(IAN)’ is a semi-autobiographical hour of comedic theatre celebrating the important role libraries and librarians play in their local…

The King's Player. Image is a bald white actor dressed in scruffy Middle Ages clothes with his mouth agape and his arms stretched out in surprise. Behind him is a large yellowish backdrop featuring a circle with a picture of a juggler in it.
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Theatre review: The King's Player, Alex Theatre

A one-man comedy show inspired by 'Hamlet', and told from the perspective of a lowly minstrel desperate for promotion.

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