Kim Hitchcock

Kim Hitchcock is a freelance writer based in Melbourne who has an interest in all art forms and enjoys exploring them locally and abroad. He has completed a Master of Art Curatorship at the University of Melbourne and can be reached at kimhuyphanhitchcock@gmail.com

Kim Hitchcock's Latest Articles

A curly haired brunette man with a white-shirt and tan jacket. He's holding up some spectacles on a stick.
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Comedy review: Chris Demos: Actually Kinda Hot, The Butterfly Club, MICF 2025

Want to hear some cringey dating stories?

A brunette man with a moustache in white short and a tie askew is holding onto a spraying champagne bottle.
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Comedy review: Carmelo Costa: Homecoming, Coopers Inn 2, MICF 2025

What's it like to move back to your parents' place when you're in your 30s?

A black woman in a red top holding back her pony-tailed hair.
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Comedy review: Anisa Nandaula: You Can't Say That, The Victoria Hotel

What's it like being a black girl in Australia?

A group of young adults are sitting at a table.
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Theatre review: Antilton, Explosives Factory

An ant-inspired musical based on 'Hamilton'. What could possibly go wrong?

A young Asian man wearing a blue checked flannel shirt standing in a laneway with graffiti. Chris Nguyen
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Comedy review: Chris Nguyen: It’s Pronounced Nguyen, Theory Bar, MICF 2025

Please note: Nguyen's comedy debut is not another take on migrant trauma.

Five schoolboys in white shirts gather around a water trough.
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Theatre review: Boys on the Verge of Tears, fortyfivedownstairs

An exploration of identity and masculinity from youth to adulthood.

Three performers. One standing up, two crouch on the ground. They form a triangle shape.
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Dance review: Bunyi Bunyi Bumi, Bunjil Place, Asia TOPA 2025

A dance performance showcasing the interconnectedness of cultures.

A young man, Joseph Keckler, in black lying on a couch with his eyes closed.
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Music review: An Evening with Joseph Keckler, Brunswick Ballroom

Playing across different styles and genres, this musician is experimental and entertaining.

Two figures in shadowed darkness in the middle of the stage holding onto each other. Heavy drapery surround them with red tones.
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Theatre review: Our Monster’s Name is Jerry, Theatre Works

Gothic tropes are explored, but without the promised scares.

Three women, two are seated and one is standing in a production of 'Anatomy of a Suicide.'
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Theatre review: Anatomy of a Suicide, Meat Market Stables

Alice Birch's prize-winning play is presented in Melbourne for the first time.

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